Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan lifeQuigg, Lemuel Ely
General
Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan life
Quigg, Lemuel Ely
New York (N.Y.) -- Social life and customs -- Fiction
"Yes, I know what you mean. He certainly does look as if a pistol would
be no adequate defense against him. What you want is a nice,
self-cocking, automatic thunderbolt."
They changed the subject, returning to their interrupted business, and
having concluded that they talked on until it had grown quite late.
"By Jove!" cried Mr. O'Royster, glancing at his watch, "it's half-past
six, and I've a dinner engagement at the club at seven. I must be off.
Ring for a cab, wont you?"
The cab arrived in a few moments and Mr. O'Royster hurried out. "Drive
me to the Union Club," he said, "and whip up lively."
He sprang in, the cab started off with a whirl, and he turned in his
seat to let down the window. A startled look came into his face.
"It's too dark to see well," he said to himself, "and this thing bounces
like a tugboat in a gale, but if that ourang-outang wasn't standing
under that gaslight yonder, I'll be hanged!"
Mr. O'Royster's was the sort of mind that dwelt lightly and briefly on
subjects affecting it disagreeably, and long before he reached the club
it had left the ourang-outang far in the distance. In the presence of a
jolly company, red-headed duck, burgundy and champagne, it had room for
nothing but wit and frolic, to which its inclinations always strongly
tended.
The night had far advanced when Mr. O'Royster left the club. He turned
into Fifth Avenue, journeying toward Twenty-third Street, and had walked
about half the distance when he felt a touch upon his arm. Mr. O'Royster
was in that condition when his mental senses acted more quickly than his
physical senses. Bringing his eyes to bear upon the spot where he felt
the touch, he made out the shape of a big, dirty hand, and following it
and the arm above it, he presently ascertained that a man was close at
his elbow. He spent several minutes scrutinizing the man's face, and
finally he said:
"Ah, I shee. Beg pawdon, dear boy, f'not 'bsherving you b'fore. Mos'
happy to renew zhe 'quaintance so auspishously begun 'saffer-noon.
H--hic!--'ope you're feeling well. By zhe way, ol' f'llaw, wha' zhure
name?"
"Bludoffski."
"Razzer hard name t' pronounce, but easy one t' 'member. Glad 'tain't
Dobbins. 'F zenny sing I hate, 's name like Dobb'ns, 'r Wobb'ns, 'r
Wigg'ns. Some-pin highly unconventional in name of Bludoffski. Mr.
Bludoffski, kindly 'cept 'shurances of my--rhic!--gard!"
Mr. Bludoffski executed a facial maneuver intended possibly for a smile.
It excited Mr. O'Royster's attention directly.
"Doffski!" he said, stopping shortly and balancing himself on his legs,
"are you sure you're feelin' quite well?"
"Yah, puty vell."
"Zere's no great sorrer gnawin' chure vitals, is zere, Moffski?"
"I vas all ride."
"Not sufferin' f'om any mad r'gret, 'r misplaced love, 'rensing zat
kind, eh, Woffski?"
"No."
"Feeling jush sames' ushyal?"
"Yah."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account