Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan life — John Shaqi
Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan lifeQuigg, Lemuel Ely
General
Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan life
Quigg, Lemuel Ely
New York (N.Y.) -- Social life and customs -- Fiction
Condemned? Yes, condemned; why not? What did she know of the science of
morals, of souls, or revelations, or higher laws? Who had ever mentioned
these things to her. What had she to do with questions of right and
wrong? What was right to her but gratification, or wrong but want? What
was passion but nature pent up, or crime but congested nature suddenly
set free?
She spoke a Christian tongue. She wore a Christian dress. Her heart
answered to the same emotions that quicken or deaden the beat of other
breasts. She had tears to shed, hopes to excite, passions to burn,
desires to gratify. Nature had denied her none of the faculties that
give beauty, and grace and dignity and sweetness to another. Even as she
lay stretched on the floor of a dive in the heart of a Christian city,
but remoter from influences that encourage the good and repress the bad
in her nature than if she were standing in the darkest jungle of
Africa--even there, degraded, ignorant, and infinitely wretched, she was
a martyr to the very virtues, truth and constancy, of which she knew the
least!
Some such reflections as these were flitting through Mr. Dootleby's mind
as he glanced down upon her, and then turned to his enraged antagonist,
who was standing ever alert for a chance to recover his victim.
"Look here," said Mr. Dootleby. "Let's come to terms about this affair.
You can see for yourself that the girl is half dead. You don't want to
kill her outright, I'm sure."
"'Tain't no biznuss of yourn if I do," the old man savagely replied.
"Maybe not. But cool off, now, and be reasonable. You'll be sorry enough
for what you've done already, and if you were to do more you'd have to
stand your trial for murder."
"'Twont be for murderin' her w'en I gits in de jug. But I'll murder you
if yer don't leave dis place right off."
"I'm not going to leave till I take her with me."
"Den you wont never leave alive."
Pete whipped a knife from his pocket and rushed at Mr. Dootleby,
intending to overwhelm him by a sudden and furious attack. The ivory
cane again came into action. It struck the muscular part of Pete's arm
just below the shoulder. The knife did not reach its destination, but it
inflicted an ugly wound in Mr. Dootleby's hand. Without noticing this,
he closed in on his foe, pouring all the resources of his powerful frame
into a dozen fierce and well-directed blows. The spectators upon the
benches, however indifferent while the brute had been maltreating a
defenseless girl, were now seized with a panic. Two of the men slunk out
into the street. The girls rushed to their rooms, threw on their coats
and street dresses, and escaped also. The battle continued for several
minutes, each man fighting, as he knew, for his life.
Public-domain text, read in full here on John Shaqi.
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