Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan life — John Shaqi
Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan lifeQuigg, Lemuel Ely
General
Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan life
Quigg, Lemuel Ely
New York (N.Y.) -- Social life and customs -- Fiction
A throng of people, big and little, young and old, were waiting in the
corridors of the warden's office the next morning, eager for the bell to
strike the signal that would admit them into the prisons. They were
mostly women. Here and there in the crowd was a little boy carrying a
tin can with something in it good to eat, sent, doubtless, by his old
mother to her scamp of a son. The little beggar has his first
experiences of a prison administering to the comforts of his big,
ruffianly brother, probably a great hero in his eyes.
For the most part, the crowd is made up of young women. There, muffled
closely, is the wife of a defaulter, who was caught in the act. Three
days ago she held her head as high as any. Now it is bent low and hidden
with shame. Yonder, terrified and broken-hearted, is the sister of a man
who shot another. He is no criminal. There was a quarrel about a matter
of money. The lie was given, a blow followed, and then a shot. Her
brother a murderer! Her brother, all kindness, docility, and goodness,
locked up in a place like this with thieves and hardened convicts! It
was a fatal shot--ah, me, so very fatal, so widely fatal!
Many of them, though, are laughing and joking with each other. They have
got acquainted coming here to look after their husbands, lovers,
brothers, fathers, and sons. They bow cheerily as they come in, and say
what a fine day it is, and how they missed you yesterday, and they hope
nothing was the matter at home. Among them are brazen jades who chatter
saucily with the guards, and these are the best treated of all. They are
asked no gruff, surly questions, but with a wink and a jest in they go.
On the outer edge of the crowd, among those who waited till the first
rush was over, stood a dark, wiry little woman with a face remarkable
alike for its resolution and its innocence. She could not have been more
than twenty-five years old. She looked as if she had seen much of the
world, but had illy learned the lessons of her experience. This
combination of strength and simplicity had wrought a curious effect upon
her manner. There was no timidity about her, but much gentleness. She
was modest and clothed with repose, and yet the outlines of her face
plainly informed you that in the presence of a sufficient emergency she
was quite prepared to go anywhere or do anything.
"I want to see Monsieur Tulitz," she said to the entry clerk, when her
opportunity came.
He gave her a ticket without asking any questions, except the formal
ones, and then turned her over to the matron.
The matron of the Tombs has been there many years, and she knows how to
read faces.
"Your ticket says you are Madame Tulitz?" said the matron.
"Yes."
"I must search you."
"Very well."
"It must be thorough."
"Very well."
[Illustration: "I WANT TO SEE MONSIEUR TULITZ," SHE SAID.]
"Please take off your hat and let down your hair."
Public-domain text, read in full here on John Shaqi.
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