Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan life — John Shaqi
Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan lifeQuigg, Lemuel Ely
General
Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan life
Quigg, Lemuel Ely
New York (N.Y.) -- Social life and customs -- Fiction
"There!" she said sharply. "You've been bothering me so long that Ike's
come back, and we've got to go through a scene. Two hundred and fifty
dollars! It'll break Ike's heart."
Mr. Ricketty snatched the pocket-book from her hands, coolly extracted
bills to the amount of two hundred and fifty dollars, returned the book,
and whipped out his handkerchief. As the Jew entered he beheld a man
leaning against his counter holding a wad of greenbacks in his hand and
sobbing violently.
Apparently summoning all his resolution, Mr. Ricketty dried his eyes and
fervently grasped the money-lender's hand.
"Ikey, my boy," he said, "I leave my all with you. I go from your door,
Ikey, like one who treads alone some banquet hall deserted. I have sold
you my birthright, dear boy, for a mess of pottage--a mere mess of
pottage--a paltry two hundred and fifty dollars."
Ikey turned pale. "Pecky!" he cried, "who vas der fool mans und vat he
means apoudt der dwo huntered und feefty tollars, hey?"
"Well may you call me a fool, Ikey; I can't deny it. I can't even lift
my voice in protest. No man in his sober senses would have sold that
necklace of glorious gems for such a miserable pittance. Here, Ikey,
take back your money and give me my pearls."
[Illustration: BECKY.]
He held out the greenbacks with one hand, while with the other he placed
his handkerchief to his eyes, of which with great dexterity he reserved
a considerable corner for the purposes of observation. At the same
time, Becky, well knowing that she had bought the pearls for a sum
which, though probably more than her husband would have consented to
give, was still far less than their value, handed him the necklace.
The pawnbroker looked from money to jewels and from jewels to money with
an expression of curiously mingled grief and greed. Finally, taking
Ricketty by the coat-tails, he dragged him towards the door, saying, "I
nefer go pack by anydings vat mine vife does, meester, but ven you haf
shewels some more, yust coom along ven I vas der shtore py mineselluf,
hey?"
Mr. Ricketty shook his hand effusively. "I will, Ikey, I will. These
women are very unsatisfactory to deal with. Au revoir, Ikey! Au revoir,
madam!" and bowing with the utmost urbanity to the genial Becky, he
strode into the street.
It was easy to see, as Mr. Ricketty wandered aimlessly down the Bowery,
that his humor was entirely amiable. The knobs of ruddy flesh under his
twinkling black eyes were encircled by a set of merry wrinkles, and his
mustache had expanded far across his face.
[Illustration: THE PAWNBROKER.]
Public-domain text, read in full here on John Shaqi.
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