Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan lifeQuigg, Lemuel Ely
General
Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan life
Quigg, Lemuel Ely
New York (N.Y.) -- Social life and customs -- Fiction
Mr. Cinch may still be floating in the Calm Centre of Infinite Truth,
or he may not. He may still be in harmony with the Universal Mind or he
may not. He hasn't mentioned lately. But this is sure truth--that
wherever he floats, Mrs. Cinch is floating with him, and whatever else
he may be in harmony with he is certainly in harmony with her. He
wobbles and toddles up and down just as he used to do, but never a word
does he hear to the prejudice of his legs. And whether they be as
crooked as a ram's horn or as straight as a rifle-barrel, he can't see
them and she won't--so what's the odds, anyhow?
[Illustration]
XIII.
GRANDMOTHER CRUNCHER.
Tony Scollop's great point was enterprise. When he looked at anything it
was always with the query running through his mind, how can this be
turned to account? The beauty of utility was the beauty which Tony's
eyes detected and which his heart valued.
There may be a want of true and pure sentiment in this way of
considering the world and its contents, but Tony's lot had been cast in
a sphere where necessity encroaches upon sentiment. Bread was dear and
babies cheap in the tenement where Tony was born, and his character was
greatly affected by this circumstance.
And yet Tony was not unmindful of the fact that sentiment is a powerful
stimulant. As such, he prized it. His acute perception disclosed to him
that people would pay freely to have their sentiments fed, and Tony was
willing to do almost anything not specifically mentioned in the Criminal
Code, for pay. It had been early impressed upon his mind that the
profitable sentiments of a great proportion of mankind were reached
through their curiosity. This lesson was first enforced upon Tony by a
Monkey.
The monkey was a particularly clever knave. He was in the retinue
consisting, besides himself, of a woman, two babies, a hand-organ and a
tin-cup, appertaining to a dusky Neapolitan who infested the tenement
district in which Tony's boyhood was spent. That monkey had on several
occasions seduced a penny from Tony's unwilling hand. Thereby he had
earned Tony's respect and had caused Tony's reflections to dwell upon
him. That monkey had a large place in the circumstances which led Tony
to go into the dime-museum business.
As a dime-museum manager, to which exalted station Tony finally arose
and in which he was now engaged, he was a remarkable success. He seemed
to have found just the field for his talents. They led him into a great
variety of speculations, but from one and all he emerged plethoric with
dimes. His museum had grown until it now occupied the three floors of
one of the largest buildings in the Bowery.
It was in the very height of his great career, when his enterprise was
most conspicuous, his curiosities most numerous, his patronage most
extensive, and his self-appreciation most complete and complacent, that
he was called upon to face a singular emergency.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account