Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan lifeQuigg, Lemuel Ely
General
Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan life
Quigg, Lemuel Ely
New York (N.Y.) -- Social life and customs -- Fiction
A gentleman in Hoboken had boiled his mother-in-law. It is of no moment
now why he had boiled his mother-in-law, though at the time the
consideration of this question had filled columns upon columns of the
daily newspapers. There had been a controversy between the gentleman and
his mother-in-law, prolonged and distracting, and the long and short of
a very painful conjunction of circumstances is that the gentleman had
felt himself reduced to the necessity of doing something serious to his
mother-in-law, and, thus moved, he had boiled her. It would have been
wiser, doubtless, had he taken some other course, though that is a
matter of judgment into which I refrain from going. The only fact
needful to be mentioned here is that the event had taken up a vast
amount of space in the papers, which had printed large maps of the room
wherein the boiling had occurred, together with striking pictures of the
gentleman, the mother-in-law, the kettle in which the boiling had been
done, the cat which usually slept in the kettle, and other important
accessories of the event.
Among these was the gentleman's grand-mother, a venerable lady living in
Wisconsin, who, upon being informed that her grandson was in jail for
boiling his mother-in-law, had come on to Hoboken to comfort him. She
was met at the depot by a considerable company of reporters, and by Mr.
Tony Scollop, who, with an enterprise all his own, provided a coach for
her, went with her to the jail, remained during the sad interview that
took place with her unhappy grandson, and gave her a gorgeous bouquet
with which to assuage her grief. He took her to a hotel, and did not
leave her until she had signed a ten weeks' contract to appear in his
dime museum. These, with many other facts illustrative of Tony's
generosity and gentle sympathy, appeared in many of the newspapers the
next day.
Whatever may have been their general effect, there were bosoms in which
they produced disagreeable sensations, and among these was the bosom of
Billy O'Fake, the Wild Man from Borneo. Indeed Mr. O'Fake was positively
angry when he saw that Grandmother Cruncher was to be exhibited from the
same platform with himself. He stuck his pipe in his mouth, his hat on
his head, and his feet on the footboard of his bed, and said
emphatically that he be domned if he'd shtand the loikes av this
gran'mother business any more at all. It had gone the laste bit too fur,
an', bedad, he'd lay the hull matter before the Brotherhood and
Sisterhood of Animated Frakes that blissid marnin'!
The more Mr. O'Fake thought it over the more outraged his feelings
became. At last, unable longer to contain himself, he strode from his
room, descended into the Bowery, passed into East Broadway, and
clambered aloft to the fifth story of a rickety flat. There he knocked
loudly at a door and responded in something of violent haste to the
invitation to enter.
Public-domain text, read in full here on John Shaqi.
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