Yet that prospect was blurred and made hideous in the morning by the
sudden incursion into it all of that heavy young man named Gavin
Hockley. I had had my breakfast (and a hearty one at that) in the old
low-roofed coffee-room, and was just making up my mind to sally forth
and do a long day's work, when the door was thrust open lumberingly and
brutally, and Hockley strode in. Whether or not he knew from my guardian
that I was there it is impossible to say; he looked over me, or through
me, as on the occasion of our first meeting, and lumbered out again,
slamming the door behind him. Remembering all that I had thought about
him, and remembering my dream, I was too much upset by his sudden entry
into the room even to be able to speak to him; he was gone before I had
made up my mind what to do.
When I came out into the little hall of the place, I saw him lounging
with one elbow on the low counter at one side, talking to the girl who
stood among the bottles and glasses behind it; and one heavy hand was on
his hip, and in that hand was his stick, just as it had been when he
stood on the steps and looked down at me. The little place seemed full
of him--poisoned by him; I was glad to get out into the sweet air of the
little town, and further than that into the woods and the fields.
I like to think of that morning now: I have seen myself, in imagination,
going so often down a long, dusty road, with my easel and colour box
slung across my shoulders; I believe I sang softly to myself as I went.
For the spring was in my heart and in my blood, and life was very, very
beautiful. I see myself leaving the road behind me, and turning into a
little wood near at hand, and sitting down to sketch the glories that
stretched before me. But I was like a butterfly that morning, in that
all was so beautiful that nothing wholly pleased me; I went deeper on
into the wood, and started again to paint. And lost myself in my work
and in a waking dream, until I was aroused by the sound of a young girl
singing.
(I lay down my pen here for a moment or two, because my eyes are dim,
and I cannot go on. The sunlight and the trees and all the mystery and
the beauty of the woods are with me again, and the dear voice of the
woman I was to love through all my life floats to me again, and stirs
something within my sad heart that was stirred that morning, never to be
still again. I close my eyes for a moment, and cover them with my hands;
and I am back there once more, looking at her wonderingly as she comes
towards me through the trees.)
I will not try to describe her; I only know that she was very, very
fair, and that she seemed almost a spirit of beauty, coming out of the
wood towards me. She was Nature--and Love--and Life--and Laughter--all
embodied; I could only sit and watch her; it did not occur to me even to
ask myself who she was.
Public-domain text, read in full here on John Shaqi.
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