Miriam had grown up, had become a Christian and a happy one; and as yet
no "flatterer" had beguiled her off upon the "Enchanted Ground." But
at last the temptation came, in a very specious way.
There was a new Prima Donna at the opera house that winter; a young,
pretty woman, working hard (it was said) to support her mother; and
Miriam, going daily to see dear friends at the same hotel, often heard
the singing and practising that went on in the Prima Donna's rooms.
And Miriam was very fond of music, and had been able to hear very
little that was really good; and now in a moment one thing took
possession of her; she _must_ go to the opera!--Tickets too costly, and
no one to take her, made the thing look impossible on the one side; and
on the other--there was her Christian name and promise. Of course it
was wrong for Christians to go!--she knew that. Yet for the time,
nothing seemed tangible or real but this; go she _must_! And so from
week to week this fever of desire grew and increased, fed from time to
time by those snatches of song that floated through the great hall of
the hotel.
At last one day her friends said (knowing nothing of all this),
"Miriam, you must go with us to an undress rehearsal. We have got
tickets, and you must go." Then beginning to answer the objections
they expected--"It is only undress," they said; "the house half
lighted, and the actors not in costume. Anybody might go,--and you
_must_."--"It's a very moral opera," began another. "Of course we
would never take you to see anything else."
Miriam was too ignorant of the world and its theatres to fairly
understand all these advantages,--indeed I fancy longing made such a
din in her ears that she paid but little attention. For a while she
withstood--then desire rose up like a whirlwind and carried all before
it. They had tickets for that very night,--her friends, said one
morning,--a ticket for her also--and an escort. She yielded and went.
Went first to take tea with her friends, on the way; and I have heard
her speak of the thrilling, pent-up excitement of that hour or two
before it was time to set out:--Excitement that made her as still as a
mouse, and the careless chatter of her friends incomprehensible!--that
made cake into plain bread and butter, and bread and butter
into--chips, for all she knew. Whether the excitement was all pleasure
I doubt if she could tell; yet if you think Miriam knew she was doing
wrong, you would be mistaken. Perhaps it was with her, in the tumult
of longing, as Fenelon says: "O how rare it is to find a soul still
enough to hear God speak!" Or perhaps the Lord, in his wisdom, chose
this time to let her set her own lesson. I can only vouch for the
dream in which she sat at tea, and walked along the street, and entered
the Opera House; glad to get out into the starlight, almost awe-struck
to find herself at last within those walls.
Public-domain text, read in full here on John Shaqi.
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