The people awaited the splendor and the music. The Prince at last led
his bride toward the Temple of Dream; Charles, to-day blind to his
Rabette, not _for_ her, took with him the glowing Count. In the outer
temple nothing could be detected corresponding to its magic name; only
the windows went from the roof of this Pavilion down to the very
ground; and, instead of frames and window-sills, were set in twigs and
leaves. But when the Princess had gone in through a glass door, the
Pavilion seemed to her to have vanished away; one seemed to stand on a
solitary, open spot, guarded with some tree-stems, which all vistas of
the garden met and crossed. Wondrously, as if by sportive dreams, were
the regions of Lilar intermingled, and opposites drawn together; beside
the mountain with the thunder-house stood the one with the altar, and
hard by the enchanted wood the high, dark Tartarus reared itself.
The near and the far swallowed each other up; a fresh rainbow of
garden-hues and a faded mock-rainbow ran on beside each other, as, when
one wakes, the shadow of the dream-image glides away, still visible,
before the glittering present. While the Princess was still sinking
away into the dreamy illusion,[9] Liana--as if gliding out of the air
through a glass side-door, in Idoine's favorite attire,--in a white
dress with silver flowers, and in unadorned hair, with a veil, which,
fastened only on the left side, flowed down at full length--came
tremulously forth, and when the deceived Princess cried out, "Idoine!"
she whispered, with a trembling and scarcely audible voice: "_Je ne
suis qu'un songe_."[10] She was to say more and offer a flower; but
when the Princess, with emotion, went on to exclaim: "_Sœur
chérie!_"[11] and folded her passionately in her arms, then she forgot
all, and only wept out her heart upon another heart, because to her
another's vain languishing after a sister was so touching. Albano stood
near to the sublime scene; the bandage was torn off from all his
wounds, and their blood flowed down warmly out of them all. O, never
had she, or any other form, been so ethereally beautiful, so
heavenly-blooming, and so meek and lowly!
When she raised her eyes out of the embrace, they fell upon Albano's
pale countenance. It was pale, not with sickness, but with emotion. She
started back, quivering, and embraced the Princess again; the pale
youth had wrung from her agitated heart one tear after another; but the
two did not greet each other,--and thus began their evening.
Public-domain text, read in full here on John Shaqi.
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