This speech set a hot seal upon Albano's mouth; it seemed exactly as if
his father had found him out, and took his old pleasure in damping,
like a fate, all enthusiasm, and giving all expectations, even gloomy
ones, the lie. The offended, self-inflaming spirit remained now fast
covered from Gaspard and Bouverot.
But to his Dian he showed all on the morning after. He knew how this
friend, with the arm of an artist and a youth at once, bore and waved
the banner of freedom, and therefore he broke before him the dark seal
of his previous melancholy. He confessed to his most beloved teacher
his full-grown purpose, so soon as the unholy war against Gallic
liberty, which now hung out its pitchy torch in all streets of the city
of God, burst into flames, to repair to the side of freedom, and to
fall himself sooner than see her fall. "Truly, you are a brave man,"
said Dian. "Had I not child and profession hanging upon my neck, by
Heaven, I myself would join you. An old fellow like that yonder sees
much and hears badly. He shall not nose out anything, nor his beast of
a _Barigello_ neither." He meant the Counsellor of Arts, Fraischdörfer,
whom he, with an artist's obstinacy, eternally abominated, because the
Counsellor painted worse and criticised better than himself. "Dian,
your word is finely said; yes, indeed, age makes one physically and
morally _far-sighted_ for one's self, and _deaf_ to others," said
Albano. "Have I spoken well, Albano? But truly such is the fact," said
he, very much pleased, in his diffidence with respect to his language,
at the praise of its beauty.
Public-domain text, read in full here on John Shaqi.
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