After some time, the Knight, just as if he saw away through the seal,
uttered some words which took hold of the youth on all sides. "There
are," said he, "some vigorous natures which stand exactly on the
boundary-line of genius and talent, fitted out, half for active, half
for ideal effort, and, withal, of burning ambition. They feel forcibly
all that is beautiful and great, and would fain create it again out of
themselves; but they succeed only very feebly in doing so. They have
not, like genius, one direction toward the centre of gravity, but they
stand themselves at the gravitating point, so that the directions
destroy each other. They are now poets, now painters, now musicians;
most of all do they love in youth bodily courage, because in that
strength most easily and expeditiously expresses itself through the
arm. Hence, in early life, everything great which they see enraptures
them, because they think to create it anew, but later in life quite
annoys them, because, after all, they have not the power. They should,
however, perceive that it is just they, if they know early how to guide
their ambition, who have drawn the finest lot of various and
harmonizing powers. They seem to be rightly fitted for the enjoyment of
all that is beautiful, as well as for moral development and for the
care of their being, for _whole_ men,--something like what a prince
must be, because in that office one must have for his all-sided
destination all-sided directions of effort and kinds of knowledge."
They stood, as he said this, just on Mount Aventine; before them the
Pyramid of Cestius, that epitaphium of the Heretics' Churchyard,
wherein so many an undeveloped artist and youth sleeps, and, near by,
the lofty potshard mountain[85] (_monte testaccio_), before which
Albano always passed along with a miserable, sickly feeling of stale
dreariness. The shock which his father's ideas gave his own, and the
relationship of the potshard mountain to the strangers' churchyard,
caused Albano to answer rather himself than his father, with a melted
ice-drop of displeasure in his eye: "Such a nameless mountain of pots
is, upon the whole, also the history of nations. But one would much
rather kill one's self on the spot than, after a long life, to bury
one's self so namelessly and ingloriously in the mass at last."
After his union with himself, he grew more happy. Already he began with
zeal to set himself to work, agreeably to his nature, which, as in the
seed-corn, put forth out of one seed-point stem and root, thoughts and
actions.
He threw all other pursuits away, and studied the art of war, ancient
and modern, for which Dian borrowed and supplied him the books and the
study-chamber. With unspeakable delight and exaltation, he ran over
again the sun-charts of the Roman history, here on the very body of the
burnt-out sun itself, and often, when he read descriptions of its
volcanic eruptions, he stood in the very craters where they had
occurred.
Public-domain text, read in full here on John Shaqi.
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