IV. The Holy Family 34
In the Uffizi Gallery, Florence
V. The Marriage of St. Catherine 40
In the Pitti Palace, Florence
VI. Flora 50
In the Uffizi Gallery, Florence
VII. Sacred and Profane Love 60
In the Borghese Palace, Rome
VIII. The Holy Family 70
In the National Gallery, London
I
Titian Vecelli, undeniably the greatest Venetian painter of the
Renaissance, leaps into the full light of the movement. To be sure he
appears full-grown, as Venus is said to have done when she appeared
above the foam in the waters of Cythera, or Pallas Athene when she
sprang from the brain of Zeus, but happily he was destined to live to a
great age.
We have few and scanty records to tell of the very early days. So wide
was his circle of patrons in after life, so intimate his acquaintance
with the leading men of his generation, that it is not difficult to
find out what manner of man he was without the aid of his pictures,
even though they have a very definite story to tell the painstaking
student.
There are well over one hundred important works, dealing with the life
and art of Titian, written by enthusiasts in half-a-dozen languages,
for of all the artists of the Renaissance he makes perhaps the most
direct appeal to the man _moyen sensuel_.
[Illustration: PLATE II.--LA BELLA
(In the Pitti Palace, Florence)
This wonderful example of Titian's portrait painting may be seen in the
Pitti Palace to-day, and was probably commissioned by the Duke of
Urbino somewhere about the year 1536. It will be noticed by students of
Titian that the model for this portrait appears in some of the master's
pictures as Venus.]
Fearless and unashamed, he gave the world pagan pictures, entering into
the joy of their creation with the enthusiasm of a schoolboy who has
found an orchard gate unlocked. To be sure the spirit of joy and of
youth passed with the years, even this most fortunate of painters knew
trouble, domestic and financial, but the beauty remained, expressing
the fullest vigour of the Renaissance movement, the supreme achievement
of human loveliness, the splendour of men and women.
Public-domain text, read in full here on John Shaqi.
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