New England -- Social life and customs -- Fiction; Short stories
Quite at the other end of the town is a dooryard which, in my own mind,
at least, I call the traveling garden. Miss Nancy, its presiding
mistress, is the victim of a love of change; and since she may not
wander herself, she transplants shrubs and herbs from nook to nook. No
sooner does a green thing get safely rooted than Miss Nancy snatches it
up and sets it elsewhere. Her yard is a varying pageant of plants in all
stages of misfortune. Here is a shrub, with faded leaves, torn from the
lap of prosperity in a well-sunned corner to languish under different
conditions. There stands a hardy bush, shrinking, one might guess, under
all its bravery of new spring green, from the premonition that Miss
Nancy may move it to-morrow. Even the ladies'-delights have their months
of garish prosperity, wherein they sicken like country maids; for no
sooner do they get their little feet settled in a dark, still corner
than they are summoned out of it, to sunlight bright and strong. Miss
Nancy lives with a bedridden father, who has grown peevish through long
patience; can it be that slow, senile decay which has roused in her a
fierce impatience against the sluggishness of life, and that she hurries
her plants into motion because she herself must halt? Her father does
not theorize about it. He says, "Nancy never has no luck with plants."
And that, indeed, is true.
There is another dooryard with its infallible index finger pointing to
tell a tale. You can scarcely thread your way through it for vehicles of
all sorts congregated there to undergo slow decomposition at the hands
of wind and weather. This farmer is a tradesman by nature, and though,
for thrift's sake, his fields must be tilled, he is yet inwardly
constrained to keep on buying and selling, albeit to no purpose. He is
everlastingly swapping and bargaining, giving play to a faculty which
might, in its legitimate place, have worked out the definite and
tangible, but which now goes automatically clicking on under vain
conditions. The house, too, is overrun with useless articles, presently
to be exchanged for others as unavailing, and in the farmer's pocket
ticks a watch which to-morrow will replace with another more problematic
still. But in the yard are the undisputable evidences of his wild
unthrift. Old rusty mowing-machines, buggies with torn and flapping
canvas, sleighs ready to yawn at every crack, all are here: poor
relations in a broken-down family. But children love this yard. They
come, hand in hand, with a timid confidence in their right, and ask at
the back door for the privilege of playing in it. They take long,
entrancing journeys in the mouldy old chaise; they endure Siberian
nights of sleighing, and throw out their helpless dolls to the pursuing
wolves; or the more mercantile-minded among the boys mount a
three-wheeled express wagon, and drive noisily away to traffic upon the
road. This, in its dramatic possibilities, is not a yard to be despised.
Public-domain text, read in full here on John Shaqi.
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