New England -- Social life and customs -- Fiction; Short stories
Amelia gave one swift glance from the window, following the path marked
out by that insinuating index. It was true. Elbridge was driving her
two cows out of the yard, and her husband stood by, watching him. She
walked quietly into the entry, and Josiah laid his old hands together
in the rapturous certainty that she was going to open the door, and
send her anger forth. But Amelia only took down his butternut coat from
the nail, and returned with it, holding it ready for him to insert his
arms.
"Here's your coat," said she, with that strange, deceptive calmness.
"Stan' up, an' I'll help you put it on."
Josiah looked at her with helplessly open mouth, and eyes so vacuous
that Amelia felt, even at that moment, the grim humor of his plight.
"I was in hopes he'd harness up"--he began, but she ruthlessly cut him
short.
"Stan' up! Here, put t'other arm in fust. This han'kercher yours? Goes
round your neck? There 't is. Here's your hat. Got any mittens? There
they be, in your pocket. This way. This is the door you come in, an'
this is the door you'll go out of." She preceded him, her head thrown
up, her shoulders back. Amelia had no idea of dramatic values, but she
was playing an effective part. She reached the door and flung it open,
but Josiah, a poor figure in its huddled capes, still stood abjectly in
the middle of the kitchen. "Come!" she called peremptorily. "Come,
Josiah Pease! Out you go." And Josiah went, though, contrary to his
usual habit, he did not talk. He quavered uncertainly down the steps,
and Amelia called a halt. "Josiah Pease!"
He turned, and looked up at her. His mouth had dropped, and he was
nothing but a very helpless old child. Vicious as he was, Amelia
realized the mental poverty of her adversary, and despised herself for
despising him. "Josiah Pease!" she repeated. "This is the end. Don't
you darken my doors ag'in. I've done with you,--egg an' bird!" She
closed the door, shutting out Josiah and the keen spring wind, and went
back to the window, to watch him down the drive. His back looked poor
and mean. It emphasized the pettiness of her victory. Even at that
moment, she realized that it was the poorer part of her which had
resented attack on a citadel which should be impregnable as time
itself. Just then Enoch stepped into the kitchen behind her, and his
voice jarred upon her tingling nerves.
"Well," said he, more jovially than he was wont to speak, "I guess I've
made a good trade for ye. Company gone? Come here an' se' down while I
eat, an' I'll tell ye all about it."
Amelia turned about and walked slowly up to him, by no volition of her
conscious self. Again love, that august creature, veiled itself in an
unjust anger, because it was love and nothing else.
Public-domain text, read in full here on John Shaqi.
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