New England -- Social life and customs -- Fiction; Short stories
"She said you'd say 'yes' to that rich fellow in Sudleigh, if I'd give
you a chance!"
"I knew 'twas something as shallow as that. Well, I'll tell you how I
took it. I put up my head and laughed. I said, 'When William Bond wants
to break with me, he'll say so.' And the next day you did say so."
The parson wrung his hands in an involuntary gesture of appeal.
"Minnie! Minnie!" he cried, "why didn't you save me? What made you let
me _be_ a fool?"
She met his gaze with a tenderness so great that the words lost all
their sting.
"You always were, William," she said quietly. "Always rushing at things
like Job's charger, and having to rush back again. Never once have I
read that without thinking of you. That's why you fixed up an angel out
of poor little Isabel."
The parson made a fine gesture of dissent. He had forgotten Isabel.
"Do you want to know what else I did?" Her voice grew hard and
unfamiliar. "I'll tell you. I went to my sister Eliza, and I said:
'Some way or another, you've spoilt my life. I'll forgive you just as
soon as I can--maybe before you die, maybe not. You come with me!' and
I went up garret, where she kept the chest with things in it that
belonged to them that had died. There it sets now. I stood over it with
her. 'I'm going to put my dead things in here,' I said. If you touch a
finger to 'em, I'll get up in meeting and tell what you've done. I'm
going to put in everything left from what you've murdered; and every
time you come here, you'll remember you were a murderer.' I frightened
her. I'm glad I did. She's dead and gone, and I've forgiven her; but
I'm glad now!"
The parson looked at her with amazement. She seemed on fire. All the
smouldering embers of a life denied had blazed at last. She put on her
glasses and walked over to the chest.
"Here!" she continued; "let's uncover the dead. I've tried to do it
ever since she died, so the other things could be burned; but my
courage failed me. Could you turn these screws, if I should get you a
knife? They're in tight. I put 'em in myself, and she stood by."
The little lid of the till had been screwed fast. The two middle-aged
people bent over it together, trying first the scissors and then the
broken blade of the parson's old knife. The screws came slowly. When
they were all out, he stood back a pace and gazed at her. Mary Ellen
looked no longer alert and vivified. Her face was haggard.
"I shut it," she said, in a whisper. "You lift it up."
The parson lifted the lid. There they lay, her poor little relics,--a
folded manuscript, an old-fashioned daguerreotype, and a tiny locket.
The parson could not see. His hand shook as he took them solemnly out
and gave them to her. She bent over the picture, and looked at it, as
we search the faces of the dead. He followed her to the light, and,
wiping his glasses, looked also.
"That was my picture," he said musingly. "I never've had one since. And
that was mother's locket. It had"--He paused and looked at her.
Public-domain text, read in full here on John Shaqi.
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