The lattice-blinds were close shut, all over the house. There were two
ugly, grey old women in the house, to take care of it; one of them with a
spindle, who stood winding and mumbling in the doorway, and who would as
soon have let in the devil as the air. Master, mistress, la bella
Carolina, and I, went all through the palazzo. I went first, though I
have named myself last, opening the windows and the lattice-blinds, and
shaking down on myself splashes of rain, and scraps of mortar, and now
and then a dozing mosquito, or a monstrous, fat, blotchy, Genoese spider.
When I had let the evening light into a room, master, mistress, and la
bella Carolina, entered. Then, we looked round at all the pictures, and
I went forward again into another room. Mistress secretly had great fear
of meeting with the likeness of that face—we all had; but there was no
such thing. The Madonna and Bambino, San Francisco, San Sebastiano,
Venus, Santa Caterina, Angels, Brigands, Friars, Temples at Sunset,
Battles, White Horses, Forests, Apostles, Doges, all my old acquaintances
many times repeated?—yes. Dark, handsome man in black, reserved and
secret, with black hair and grey moustache, looking fixedly at mistress
out of darkness?—no.
At last we got through all the rooms and all the pictures, and came out
into the gardens. They were pretty well kept, being rented by a
gardener, and were large and shady. In one place there was a rustic
theatre, open to the sky; the stage a green slope; the coulisses, three
entrances upon a side, sweet-smelling leafy screens. Mistress moved her
bright eyes, even there, as if she looked to see the face come in upon
the scene; but all was well.
‘Now, Clara,’ master said, in a low voice, ‘you see that it is nothing?
You are happy.’
Mistress was much encouraged. She soon accustomed herself to that grim
palazzo, and would sing, and play the harp, and copy the old pictures,
and stroll with master under the green trees and vines all day. She was
beautiful. He was happy. He would laugh and say to me, mounting his
horse for his morning ride before the heat:
‘All goes well, Baptista!’
‘Yes, signore, thank God, very well.’
We kept no company. I took la bella to the Duomo and Annunciata, to the
Café, to the Opera, to the village Festa, to the Public Garden, to the
Day Theatre, to the Marionetti. The pretty little one was charmed with
all she saw. She learnt Italian—heavens! miraculously! Was mistress
quite forgetful of that dream? I asked Carolina sometimes. Nearly, said
la bella—almost. It was wearing out.
One day master received a letter, and called me.
‘Baptista!’
‘Signore!’
‘A gentleman who is presented to me will dine here to-day. He is called
the Signor Dellombra. Let me dine like a prince.’
Public-domain text, read in full here on John Shaqi.
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