Ex-convicts -- Fiction; Love stories; New York (N.Y.) -- Social conditions -- Fiction; Self-sacrifice -- Fiction
He gazed forth into the darkness, forth upon the swirling water--dully,
without thought, in the flat stupor of unrising defeat.... Presently a
bell began to send down the hour from a neighbouring steeple.
Mechanically he counted the strokes. Twelve. The number at first had no
significance, but after a moment its meaning thrilled him through. This
was the New Year!... The New Year!... And how was he beginning it?
Penniless--friendless--without work--with little strength--with no
courage--without hope. A happy New Year, indeed!
Suddenly all the bitterness that had been gathering and smouldering
within him these last four months, burst out volcanically. And his
passion was not alone in his own behalf; it was in behalf of the
thousands of others who had made a similar struggle, and to whom the
world had similarly denied the privilege of honesty. Starved and
hopeless! Why? Because he could not work?--because there was no
work?--because the world had decided the moral development of such as he
required further punishment? No. Because the rich, powerful world was
afraid!--afraid of its dollars! Because, if he were taken in, given a
chance to live honestly, he might steal a bolt of cloth, or a coat, or a
vase, or a shawl! There was the reason--the only reason. A bolt of cloth
against a human life, begging to live! A coat against a human soul,
agonising to be honest! Cloths and coats mean dollars--mean carriages,
and diamonds, and wines. Cloths and coats must be guarded.
But the human life? The human soul?
In his wild rage David rose, turned his back upon the dark river, and
shook his fist at the great indifferent city.
CHAPTER IX
THE OPEN ROAD
At one o'clock David, still aflame with bitterness, was entering his
room when a door across the hall opened and Kate Morgan looked out.
"Come into my house!" she snapped in a whisper.
David could not see her face, but her voice told him she was angry. He
followed her. Actresses' photographs on the walls, a rug of glaring
design, cheap red-and-green upholstered furniture that overcrowded the
little room--such was Kate Morgan's parlour. She closed the door, then
turned, her eyes blazing, and swore at him.
"A nice time to be getting home! I've been waiting two hours for you!"
For a moment he looked at her uncomprehendingly. "Oh, you're thinking of
that robbery. You needn't have waited. I told you I'd have nothing to do
with it."
"Drop that bluffing! You know you're in it!"
He started toward the door.
"Where you going?" she demanded.
"To bed."
She seized his arm, stepped between him and the door and stared
wrathfully up at him. She now saw how pale and drawn his face was. Her
wrath slowly left her. "You're tired--blue," she said, abruptly, but
softly.
He nodded. "So I'm going to bed."
Public-domain text, read in full here on John Shaqi.
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