Ex-convicts -- Fiction; Love stories; New York (N.Y.) -- Social conditions -- Fiction; Self-sacrifice -- Fiction
"Lucky they don't know where you're goin'," he said. "But I'm safe. Safe
as a clam!" He reassured David with his beery smile.
The vague dread increased. "What do you mean?"
"Innocent front! Oh, you're a wise one, I see. But you can trust me. I'm
safe."
David was silent for several paces. "Who is this man L. D.?"
"This man?" He cackled. "This man! Oh, you'll do!"
David looked away in disgust; the old satyr made him think of the
garbage of dissipation. All during their fifteen-minute car ride his
indefinite fear changed from one dreadful shape to another. After a
short walk the old man led the way into a small apartment house, and up
the stairs.
He paused before a door. "Here's your 'man,'" he said, nudging David and
giving his dry, throaty little laugh.
"Thanks," said David.
But the guide did not leave. "Ain't you got a dime that's makin' trouble
for the rent o' your coin?"
David handed him ten cents. "Safe as a clam," he whispered, and went
down the stairs with a cackle about "the man."
David hesitated awhile, with high-beating heart, then knocked at the
door. It was opened by a coloured maid.
"Who lives here?" he asked.
"Miss Lillian Drew."
David stepped inside. "Please tell her I'd like to see her. I'm from Mr.
Morton."
The maid directed him toward the parlour and went to summon her
mistress. At the parlour door David was met with the heavy perfume of
violets. The room was showily furnished with gilt, upholstery, vivid
hangings, painted bric-a-brac--all with a stiff shop-newness that
suggested recently acquired funds. An ash-tray on the gilded
centre-table held several cigarette stubs. On the lid of the upright
piano was the last song that had pleased Broadway, and on the piano's
top stood a large photograph of a man with a shrewd, well-fed face, his
derby hat pushed back, his hands in his trousers pockets, a jewelled
saddle in his necktie. Across this picture of portly jauntiness was
scrawled, "To lovely Lil, from Jack."
David had no more than seated himself upon a surface of blue
chrysanthemums and taken in these impressions, when the portieres parted
and between them appeared a tall, slender woman in a trained house-gown
of pink silk, with pearls in her ears and a handful of rings on her
fingers. She looked thirty-five, and had a bold, striking beauty, though
it was perhaps a trifle over-accentuated by the pots and pencils of her
dressing-table. Possibly her nature had its kindly strain--doubtless she
could smile alluringly; but just now her dark eyes gazed at David in
hard, challenging suspicion.
David rose. "Is this Miss Drew?"
"You are from Phil Morton?" she asked.
He shivered at the implied familiarity with Morton. "I am."
She crossed to a chair and, as she seated herself, spread her train
fan-wise to its full display. Her near presence seemed to uncork new
bottles of violet perfume.
"Why didn't he come himself?" she demanded, her quick, brilliant eyes
directly upon David.
Public-domain text, read in full here on John Shaqi.
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