Again, half an hour later, stopping at the elbow of another apprentice, a
little older than the last: “Come,” said the foreman, “that’s a noo idea,
that is! Takin’ auf the skin from cast iron with a bran’ noo file! I
’ope you’ve patented it. An’ I ’ope you won’t come an’ want another file
in about ’alf an hour, ’cos if you do you won’t git it!” Whereat Johnny,
astonished to learn that cast iron had a skin, resolved not to forget
that you shouldn’t take it off with a new file, and made a mental note to
ask somebody why.
Presently, as he came by the long fitting-bench, Johnny grew aware of a
fitter, immensely tall and very thin, who grinned and nodded in furtive
recognition. It was, indeed, the next door lodger, who had painted the
cornice. He was very large, Johnny thought, to be so shy; he positively
blushed as he grinned. “You come to this shop?” he asked in his odd
whisper, as he stooped to judge the fit of his work. “I’m beddin’ down a
junk ring; p’raps the gaffer’ll put you to ’elp me after breakfast.”
Bedding down a junk ring sounded advanced and technical, and Johnny felt
taller at the prospect. He would learn what a junk ring was, probably,
when he had to help bed it down. Meanwhile he watched the tall man, as
he brought the metal to an exact face.
“Stop in to breakfast?” the man asked, as he stooped again.
“Yes.”
“Some o’ the boys ’ll try a game with ye, p’raps. Don’t mind a little
game, do ye?”
“No.”
“Ah, I couldn’t stand it when I was a lad. Made me mis’rable. When ye
go in the smiths’ shop to git yer breakfast, look about ye, if they’re
special kind findin’ y’ a seat. Up above, f’r instance.”
Johnny left the long man, and presently observed that the foreman was not
in the shop. There was an instant slackness perceivable among the
younger and less steady men, for the leading hand had no such authority
as Cottam. One man at a lathe, throwing out his gear examined his work,
and, turning to Johnny, said, “Look ’ere, me lad; I want to true this
’ere bit. Jes’ you go an’ ask Sam Wilkins—that man up at the end there,
in the serge jacket—jes’ you go an’ ask ’im for the round square.”
Johnny knew the tool called a square, used for testing the truth of
finished work, though he had never seen a round one. Howbeit he went off
with alacrity: but it seemed that Sam Wilkins hadn’t the round square.
It was Joe Mills, over in the far corner. So he tried Joe Mills; but he,
it seemed, had just lent it to Bob White, at the biggest shaping-machine
near the other end. Bob White understood perfectly, but thought he had
last seen the round square in the possession of George Walker. Whereas
George Walker was perfectly certain that it had gone downstairs to Bill
Cook in the big shop. Doubting nothing from the uncommonly solemn faces
of Sam and Joe and Bob and George, Johnny set off down the stone stairs,
where he met the ascending gaffer, on his way back from the
pattern-maker’s shop.
“’Ullo boy,” he said, “where you goin’?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account