But an angel—two angels, to be exact, both of them rather stout—came one
night to Johnny’s aid. They came all unwitting, in a cab, being man and
wife, and their simple design was to see for themselves the Upraising of
the Hopeless Residuum. They had been told, though they scarce believed,
that at the Institute, far East—much farther East than Whitechapel, and
therefore, without doubt, deeper sunk in dirt and iniquity—the young men
and women danced together under regular ball-room conventions, neither
bawling choruses nor pounding one another with quart pots. It was even
said that partners were introduced in proper form before dancing—a thing
so ludicrous in its incongruity as to give no choice but laughter. So
the two doubters from the West End (it was only Bayswater, really) took a
cab, to see these things for themselves.
But, having taken no pains to inform themselves of the order of things at
the Institute, they arrived on an evening when there was no dancing.
This was very annoying, and they said so, with acerbity. They were,
indeed, so very indignant at the disconformity of the arrangements to
their caprice, and so extremely and so obviously important, and the lady
waggled her gilt-handled lorgnon with such offended majesty, that it was
discussed among those in direction whether or not something might be done
to appease them. And in the end, after a few hasty inquiries, the
classes were broken up for the evening and an off-hand dance was
declared, to the music extracted from the Institute piano and the fiddle
of a blushing young amateur.
The girls came in gay and chattering from the dressmaking class, and the
lads rushed to exchange gymnasium-flannels for the clothes they had come
in—all unconscious that they were to be made a show of. They who kept
their dancing-shoes on the premises triumphed in their foresight, and
Johnny was among them. As for him, he had seen Nora Sansom coming in
with the others, alone and a little shy, and he resolved to seize
occasion with both hands.
Public-domain text, read in full here on John Shaqi.
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