To-morrow and to-morrow ... a novelMcKenna, Stephen
History
To-morrow and to-morrow ... a novel
McKenna, Stephen
Great Britain -- History -- George V, 1910-1936 -- Fiction; Man-woman relationships -- Fiction; Spouses -- Fiction
To some extent—in these blissful, lazy days, when we had nothing to do
but sleep and eat and smoke and gossip—we filled the blank by
discussing the present and future states of our friends. My battle-piece
was subjected to a more general scrutiny than I had intended; and for
many rather embarrassing days I was challenged to defend myself against
critics who opened wide fields of speculation with the words:
“_If_, as you think, the old political game is really played out . . .”;
or
“_If_ you’re right about the redistribution of wealth . . .”
In the morning, as we idled in long chairs on a glowing marble verandah;
at night, as we sat in a half-circle while Barbara played to us; in
leisurely afternoon walks and occasional peripatetic sessions from one
bedroom to another, we discussed war-literature and war-religion, the
new position of women, the fate of the demobilized soldier and the
day-to-day life which we expected to lead when peace was proclaimed.
Most of our predictions were unbelievably wild, in their assumption
either that everything or that nothing would be the same as before the
war; and our discussions were so formless that they could never be
summarized or recorded. When we abandoned conjecture for the concrete
plans that each was making for himself, I felt that—in the words used
at a dinner to Eric Lane in New York—‘the convulsion’s as great, when
you turn a soldier into a civilian, as when you turn a civilian into a
soldier.’ Sam Dainton, after ten years’ service, was leaving the army,
“to prey on society”, as he put it. Deganway was saying good-bye to the
Foreign Office; Barbara’s cousin, John Carstairs, to the Diplomatic.
Professionally, the climax in both their lives had been reached and
passed; the first wanted to make money, the second to look after his
estates.
Public-domain text, read in full here on John Shaqi.
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