Paris (France) -- Social life and customs -- Fiction; Short stories, English
Yet when the clerk chafed in his bonds, and the conceit of authorship
was too mighty to be bridled, it was to her that he first revealed a
manuscript. It was she, trembling, who was his first critic. "Your
good women are all perfect," she told him, "and your bad women have
never a good impulse. We aren't like that." But she was never too weary
to talk about the tales; and when they began to wander among august
journals that refused them, she used to pray, before the crucifix in
her bedroom, that the hearts of editors might be moved.
Now she meant to confess to him before he entered on his military
service.
The parting was so bitter that she failed at the last moment. He went
far from her. The years of his service were a much greater hardship
to her than to him. During the first week she stinted her own diet to
send a _bon de poste_ to ameliorate his food; but he wouldn't keep the
money. In the avenues of Ivry, never did she see the pitifully garbed
conscripts being drilled without picturing the conscript who was dear
to her, garbed like that--and closing her eyes with the pain.
And when he was free to return, the meeting was so sweet that she was a
coward once more.
He was a clerk for a long time, but his dissatisfaction would have
been longer still without her. She it was who took to the _Echo
d'Ivry-St.-Hilaire_ the article that paved his way to journalism. There
was a day of sovereignty when he was offered an ill-paid post on that
undistinguished paper. How victoriously he twirled his moustache! How
proudly, through her spectacles, she watched him do it!
Oh, of course he wouldn't be content to stick for ever on the Ivry
_Echo_, not he! He was going to write great novels just the same.
Incipiently the women of his stories lived now, but he was still
very young. She said to him at this stage: "You put your girls in a
drawing-room, but they come from a tavern." And, abashed and wondering,
he saw that poor mademoiselle knew more of girlhood than a literary man
had learnt. He was an artist, or he would not have seen.
Because he was an artist he probed his questions deep. Because she
loved him she did not flinch. To him she voiced truths that she had
shrunk from owning to herself. Thoughts that had frightened her, and
thoughts that she had deemed too sacred to be uttered, she brought
forth for his guidance. Her innocence and her knowledge she yielded to
him, her vanities and her regrets. She bared the holiest secrets of her
sterile life and stripped her soul, that he might make his books of it.
But always there remained the one secret that she could not tell.
Public-domain text, read in full here on John Shaqi.
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