Paris (France) -- Social life and customs -- Fiction; Short stories, English
"How sweet she looked in the wedding frock that she had stitched! How
proud I was of her! Our ménage was two rooms on the left bank; and in
the evening, in our tiny salon on the sixth floor, her devoted hands
clattered away on her machine, transcribing my manuscript, till I
kissed and held them prisoners. Didn't she work hard enough all day for
strangers, poor child?--my salary was too small to liberate her. 'You
are jealous,' she would say gaily, 'because I write your dialogue so
much faster than you.' And often I wished that I could create a scene
as rapidly as she typewrote it. But we had our unpractical evenings,
also, when we built castles-in-the-air, and chose the furniture for
them. I had brought home, from the Magasins, one of the diaries that
they issue annually. It contained plans of the theatres--it always
does--and, perched on my knee, she pictured a play of mine at each
of them in turn, and the house rocking with applause. And then we
pencilled the private box we'd have; and drove, in fancy and our
auto-mobile, to sit there grandly on the three-hundredth night.
"We spent many hours in selecting presents that I would have made to
her if I could. One of the things she wanted was, of course, a theatre
bag: 'the prettiest that you can pretend!' and I pretended a beauty
for her in rose brocade--and inside I put the daintiest enamelled
opera-glasses that the rue de la Paix could show, and a fan of Brussels
point, and a Brussels-point handkerchief, and a quaint gold bonbonniere
with sugared violets in it. I remember she threw her arms round my neck
as ecstatically as if the things were really there. We were, at the
time, supping on stale bread, with a stick of chocolate apiece."
* * * * *
The dramatist sat silent, his eyes grown wide. I think that for a
moment he had forgotten his new, desirable home and the antiques on the
mantelpiece--that he was back in a girl's arms in a room on a sixth
floor. Under the window, his wife had ceased to play at horses, and was
swinging their son, instead. The child's delight was boisterous.
She called up to us now: "Are we a nuisance, messieurs? Shall we go to
the nursery?"
"No, no," cried Aribaud, starting, "not at all; we are doing nothing.
Continue, mon ange, continue!"
* * * * *
Public-domain text, read in full here on John Shaqi.
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