The novel that the papers praised so warmly had enriched her by the sum of ten pounds; and when she was five years older than she had been on the day she said good-bye to him, she was writing in a boarding-house much like the one where he had met her. She remembered wistfully that within five years she had foreseen herself rejoicing in Upper Bohemia. She wrote well. She did not think as well as she wrote, of course--her horizon was clouded by myths, like those that have it that Scots are all skinflints, and Jews are all rogues--but her work had beauty; and critics saw it, and she made a reputation. But the general public did not see it, or, seeing the beauty, were a Channel's width from perceiving that it was beautiful, so she did not make money. And without money she found a literary reputation was less ecstatic than she had presumed. It did not mean congenial society, because she could not afford to join the clubs where congenial society might be supposed to exist. It did not mean concerts, or picture-galleries, or less physical discomfort, or a breath of sea air when she was sick for it; it did not mean a single amelioration of her life's asperities, because Press notices were not to be tendered in lieu of cash. Even those who lauded her fiction remained strangers to her. Only for a few weeks after each book was issued, she read, in her boarding-house attic, that she was a "distinguished novelist," and then she was again ignored. And meanwhile her youth was fading, and her eyes were dimming, and she looked in the glass and mourned. In the emptiness of her "distinction" she longed for laughter and a home. Desperate at last, she did join a club of professional women; but nominal as the fees were, considering the splendour of the place, it was an annual effort for her to pay the subscription. And she did not go there often enough to make any intimate friends, because she was generally too tired. And every year she grew more tired still. * * * * *