The substantial works of the Gonçalo-Machico highway, the telegraph-posts, and the yellow-green lines of sugar-cane, were the only changes I could detect in Eastern Madeira. Nothing more charming than the variety and contrast of colours after the rusty-brown raiment which Southern Europe dons in mid-December. Even the barren, arid, and windswept eastern slopes glowed bright with the volcanic muds locally called laterites, and the foliated beds of saibros and maçapés, decomposed tufas oxidised red and yellow. As we drew nearer to Funchal, which looks like a giant _plate-bande_, tilted up at an angle of 40°, we were startled by the verdure of every shade and tint; the yellow-green of the sugar and common cane (_Arundo sagittata_), of the light-leaved aloe, banana, and hibiscus; the dark orange, myrtle, and holm-oak; the gloomy cypress, and the dull laurels and bay-trees, while waving palms, growing close to stiff pines and junipers (_Oedro da Serra_), showed the contrast and communion of north and south. Lines of plane-trees, with foliage now blighted yellow and bright green in February, define the embouchures of the three grim black ravines radiating from the upper heights, and broadening out as they approach the bay. The rounded grassy hill-heads setting off the horizontal curtains of dry stone, 'horticultural fortifications' which guard the slopes, and which rise to a height of 3,000 feet; the lower monticules and parasitic craters, Signal Hill, Race-course Hill, São Martinho and Santo Antonio, telling the tale of throes perhaps to be renewed; the stern basaltic cliff-walls supporting the island and prolonged in black jags through the glassy azure of the transparent sea; the gigantic headlands forming abutments for the upper arch; the chequered lights and shades and the wavy play of sunshine and cloudlet flitting over the face of earth; the gay tenements habited in white and yellow, red, green, and, not unfrequently, blue; the houses built after the model of cigar-boxes set on edge, with towers, belvederes, and gazebos so tall that no one ascends them, and with flat roofs bearing rooms of glass, sparkling like mirrors where they catch the eye of day; the toy-forts, such as the Fortaleza do Pico de São João, built by the Spaniards, an upper work which a single ironclad would blow to powder with a broadside; the mariner's landmark, 2,000 feet high, Nossa Senhora do Monte, white-framed in brown-black and backed by its feathery pines, distance-dwarfed to mere shrubs, where the snow-winds sport; the cloud-cap, a wool-pack, iris-tinted by the many-hued western sky, and the soft sweet breath of the _serre-chaude_ below, profusely scented with flower and fruit, all combined to form an _ensemble_ whose first sight Northern travellers long remember. Here everyone quotes, and so will I:-- Hic ver assiduum atque alienis mensibus æstas.