To The Gold Coast for Gold: A Personal Narrative. Vol. IBurton, Richard Francis, Sir
History
To The Gold Coast for Gold: A Personal Narrative. Vol. I
Burton, Richard Francis, Sir
Ghana -- Description and travel; Gold mines and mining -- Ghana
Seen from the deep indigo-blue water, that turns leek-green in the
shallows, Cape Girão ('they turn') is a grand study of volcanic
dykes. They are of all sizes, from a rope to a cable multiplied a
thousandfold; and they stand out in boldest dado-relief where the soft
background of tufa, or laterite, has been crumbled away by rain and
storm-blast. Some writers have described them as ramifying like a tree
and its branches, and crossing and interlacing like the ties of a
building; as if sundry volcanic vents had a common centre below. I saw
nothing of this kind. The dykes of light grey material, sometimes
hollowed out and converted into gutters by falling water, appeared to
have been shot up in distinct lines, and the only crossing was where a
slip or a fault occurred.
A front view of Cape Girão shows that it is supported on either side,
east and west, by buttresses of a darker rock: the eastern dip at an
angle of 45°, the western range between 20° above and 40° below. The
great central upheaval seems to have pushed its way through these older
strata, once straight, now inclined. The layers of the more modern
formation--lavas and scoriae--are horizontal; sheets of sub-columnar,
compact basalt have been spread upon and have crushed down to
paper-thickness their beds of bright red tufa, here and there white with
a saline effervescence. Of such distinct superimpositions we counted in
one place five; there may have been many more. All are altered soils, as
is shown by remains of trees and decayed vegetation.
Beyond Cabo Girão the scenery is grand enough, but monotonous in the
extreme. The island is girt by a sea-wall, more or less perpendicular;
from this coping there is a gentle upslope, the marvellous terracing for
cultivation being carried up to the mountain-tops. The lower levels are
everywhere dotted with white farmhouses and brown villages. The colours
of the wall are the grey of basalt, the purple of volcanic
conglomerates, and the bright reds and yellows of tufas. Here and there,
however, a thread of water pouring from the summit, or bursting from the
flank, fills a cavity which it has worn and turned for itself; and from
this reservoir the industrious peasant has diverted sufficient to
irrigate his dwarf terraced plots of cane, bananas, yams, or other
vegetables; not a drop of the precious fluid is wasted, and beds are
laid out wherever the vivifying influence can extend. The water-race
down the wall is shown by mosses and lichens, pellitories, and
rock-plants; curtains and hangers; slides, shrubs, and weepers of the
most vivid green, which give life and beauty to the sternest stone.
Public-domain text, read in full here on John Shaqi.
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