Toledo: an historical and descriptive account of the "City of generations"Calvert, Albert Frederick
History
Toledo: an historical and descriptive account of the "City of generations"
Calvert, Albert Frederick
Art -- Spain -- Toledo; Toledo (Spain) -- Description and travel; Toledo (Spain) -- History
The most complete and remarkable of these buildings is the Mosque of
Bib-el-Mardom, now known as the Cristo de la Luz. It is situated to the
north of the city, between the Puerta del Sol and the Puerta Bisagra.
Here Alfonso VI., on entering Toledo on May 25, 1085, halted and caused
Mass to be celebrated, leaving his shield behind him as a memento of the
incident.
The exterior of this most interesting building is unpromising. It is
thus described by Mr. Street: “The exterior face of the walls is built
of brick and rough stone. The lower part of the side wall is arcaded
with three round arches, within the centre of which is a round horseshoe
arch for a doorway; above is a continuous sunk arcade of cusped arches,
within which are window openings with round horse-shoe heads. The lower
part of the walls is cut with single courses of brick, alternating with
rough stonework; the piers and arches of brick, with projecting labels
and strings also of unmoulded brick. The arches of the upper windows are
built with red and green bricks alternated.” Restorations carried out in
1899 brought to light a most interesting pierced frieze running round
the north-eastern façade, and serving as a sort of ventilator. Above was
deciphered the following inscription in Arabic characters: “In the name
of God, the Compassionate, the Merciful. This mosque was rebuilt ... the
renewal of its upper part, proposing to render it more beautiful, and
[the restoration] was finished, with the help of God, under the
direction of Musa Ibn Ali, the architect, and of Saada. It was completed
in the Muharram of the year 370” [July 17, 979, to August 15, 980 A.D.]
The whole façade of the edifice has been much disfigured by successive
reconstructions, coatings of plaster, &c., and has undergone much more
serious transformation than the interior.
Public-domain text, read in full here on John Shaqi.
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