The newer, or Christian, portion of the mosque contains some remarkable mural paintings, discovered in 1871. They date from about the close of the twelfth century, and exhibit pronounced Byzantine influence. It seems satisfactorily established that two of the four female figures represent Saints Eulalia and Martiana; and the other two, in all probability, the martyrs Leocadia and Obdulia. The fifth figure--that of a man--represents a prelate. It may be, as Mr. Leonard Williams thinks, the Archbishop Bernardo, who figures largely in the annals of the Reconquest; or the prelate’s patron saint. It is not to that archbishop, however, but to one of his successors--possibly Don Gonzalo Perez (1182-1193)--that the remodelling of the building into a Christian place of worship should be ascribed. This intensely interesting monument is the subject of several curious and entertaining legends. In the days of Athanagild (and it is not impossible, as we know, that the church may have existed at that time) a crucifix, greatly venerated by the citizens, hung over the door. Two evil-minded Jews, Sacao and Abishai by name, to express their hatred for Christianity, drove a lance into the side of the figure. Instantly blood gushed forth. The terrified Israelites hid the miraculous object in their own home, but were traced by the stains of blood, and (it is hardly necessary to add) torn to pieces. This irritated their co-religionists, who, to avenge them, poisoned the feet of the statue. This resulted in a second miracle, for when a devout woman was about to kiss the feet, they were withdrawn--to the discovery and undoing, once more, of the villainous Jews. The right foot of the image remains withdrawn to the present day, that all men may know the truth of the story. Now we come to the explanation of the name “Cristo de la Luz.” When the Moors were about to take the city, the Christians walled up the miraculous crucifix, with a lamp burning before it. Three hundred and seventy years passed; and on the glorious May 25, 1085, Alfonso VI. and his Christian chivalry came riding into reconquered Toledo. Among the cavaliers was the Cid, Ruy Diaz de Bivar. The warrior’s horse, on passing the mosque, stumbled, or, as others have it, knelt. With preternatural acuteness, the Cid suspected some unusual circumstance, and had the adjacent wall broken down. Then was discovered the crucifix with the lamp still burning brightly, as when placed there nearly four centuries before. The mosque was reconsecrated on the spot; and the King left his shield as a memento. There it hangs to-day, above the central arch, bearing a white cross on a crimson ground. Whether it is authentic or not, we cannot say, but below it one may read: _Esto es el escudo que dejo en esta ermita el Rey Don Alfonso VI., cuando ganó á Toledo y se dijo aqui la primera misa._ The Cristo de la Luz is no longer a church, and is now classed among the national monuments of Spain.