Adjoining the Chapel of the Virgen del Sagrario are a set of apartments, built with it upon the site of an old hospital, by Nicolas de Vergara, junior, at the close of the sixteenth century. These rooms are the Sacristia, Vestuario, Cuarto de la Custódia, and Ochavo. The Sacristia, entered through a portal 26 feet high, contains paintings by El Greco, to be noticed in the chapter on that master; the ‘Betrayal of Christ,’ by Goya; and a ceiling fresco by Luca Giordano, representing the Miracle of San Ildefonso. The Vestuario contains pictures by several Italian masters, among them ‘Paul III.’ by Titian; a replica of the portrait at Naples; a ‘Madonna’ by Rubens; and a ‘St. Francis’ by El Greco. The Custodia was till lately the Cathedral Treasury. The Ochavo, at the back of the Capilla de la Virgen, is richly adorned and contains the collection of relics, among them massive silver caskets, wonderfully wrought, for the bones of the saints Leocadia and Eugenius. The vestments preserved here, to the number of forty sets, belong mostly to the fifteenth and sixteenth centuries, and are of the most splendid description. “Each set [says Riaño] generally includes a chasuble, dalmatic, cope, altar frontal, covers for the gospel stands, and other smaller pieces. The embroideries on the orphreys, which are formed of figures of saints, are as perfect as the miniatures on illuminated MSS.” The Cloisters to the north-west of the church were built by Cardinal Tenorio in 1389. They are not, as Miss Lynch observes, to be compared with those of Burgos, of Santiago, or of Oviedo. The garden they enclose lends a brighter, gayer note to the columned and arched galleries than is found in those other cathedrals. The frescoes in the lower cloister were painted by Francisco Bayeu, and illustrate the lives of St. Eugenius and the legend of the _Niño perdido_.