Toledo, the Story of an Old Spanish CapitalLynch, Hannah
History
Toledo, the Story of an Old Spanish Capital
Lynch, Hannah
Toledo (Spain) -- Description and travel; Toledo (Spain) -- History
For this reason the lovely cloisters, despite the defacing stamp of
restoration and the preposterous glare of white plaster, win you to
fervour and lure you to reverie. Ruined, monstrously ill-treated, they
yet preserve a delicate freshness, an incomparable grace that give us
some notion of the mediaeval paradise they must have been when flower
and verdure bloomed between their fretted arches, and the statues in
their canopied niches stood fresh from each master's hands. Not
melancholy cloisters these, but gay and charming, with their supreme
elegance, their matchless distinction, an airiness and lightness, a
gaiety not in the least ecclesiastical or claustral. They were built to
harbour the measured mirth of breeding, the sweet and elegant piety of
romance, the charity, the contentment that knows naught of suffering or
revolt, all the placid and decorous joys of religion. Beautiful flowers
and delicate foliage grew thickly in the broad sunny space between the
double row of exquisite galleries, and branches spread and swayed
against the arched columns of the upper cloisters. Truly it must have
been delightful to have worn the habit of the Franciscan monk in the
days of Isabella the Catholic, and the great Cisneros, the first novice
of this convent, can have found no more vivid satisfaction in the hours
he was busy making Spanish history than in the radiant peace of these
most beautiful cloisters.
The architecture is superb; the richest specimen of florid ogival with
twenty-four vaults, windows cut and chiselled with the fine perfection
of the sonnet, pillars delicate enough and daintily wrought for some
vision of dreamland, with once fifty-six statues of Franciscan monks
between (the number now is sadly diminished, and some of the statues
that have not been rashly replaced are in a state of most lamentable
mutilation), and charming friezes. The whole effect is that of an
exquisite harmony, a harmony that not even the profane and degrading
hand of the modern restorer has been able to obliterate. Vulgarised
certainly, since vulgarity is, alas! the fatal, the inevitable price we
must pay for modern comforts and improvements, for the refining process
of our material progress and the pleasures of civilisation.
Public-domain text, read in full here on John Shaqi.
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