Family love was no strong element in the development of the Royal House, as the quaintly heartless story of San Hermengildo proves. Leovigildo was reigning then, and he, an Arian, committed the imprudence of marrying his eldest son, Hermengildo, to a French Goth, Ingundus, the niece of Saint Leander of Seville. With such powerful interests on the side of Rome, it is not surprising that the Arian prince speedily abjured his heresy, to the anger and dismay of his father. Unfortunately, his conversion did not imply the practice of any of the Christian virtues. Religion accomplishes the very thing we should have thought its mission to forbid: it arms the son against his father. The two sects, oddly enough representing the doctrine of peace and goodwill on earth, meet outside the walls of Seville in armed encounter. Hitherto the spectacle had been war and persecution and their attendant horrors on the side of Pagan against the noble and martyred Christian. From this we were to learn that Christian _versus_ Christian could show quite as pretty a figure in atrocities as ever the persecuting worshipper of the gods. Here we have an infuriated father and a rebellious son ready to cut one another's throat, and of the two it can hardly be said that the Catholic saint shows to better advantage. Indeed, in their correspondence both reason and dignity are on the side of Leovigildo, who writes to his son: "I associated you with my power from earliest years, not that you should arm strangers against me. Thou dost blunt thy conscience, and cover thyself with the veil of religion," he acutely adds, while Hermengildo's reply is an inflated and pragmatical attack on the baseness of his father's creed and the superiority of his own.[3]