Toledo, the Story of an Old Spanish CapitalLynch, Hannah
History
Toledo, the Story of an Old Spanish Capital
Lynch, Hannah
Toledo (Spain) -- Description and travel; Toledo (Spain) -- History
Toledo alone, true to its character of rebel, met the Moors in an
attitude of violent resistance. The Jews had opened her gates to the
invaders, but the exact date of the fall of Toledo into Saracen hands is
unknown. Historians differ, but keep within the dates 712 and 719. The
town capitulated with considerable advantages. She maintained her right
to hold arms and horses, and all the citizens who remained were secured
perfect freedom, but those who left the city forfeited their property
and rights. The citizens were inviolable in their houses, their
orchards, and farms, and the annual tribute levied by the Moors was a
very moderate one. The free exercise of religion was permitted, and the
Christians were allowed seven churches by the State, Santa Justa, Santa
Eulalia, San Sebastian, San Marcos, San Lucas, San Torcuato, and Santa
Maria de Alficin. But they were not allowed to build others without
permission, nor were processions or public ceremonies allowed. They were
left to the observance of their own laws and customs, subject to
sentence at the hands of their own judges, but were exempted of
Christian punishment if they chose to accept their conqueror's creed.
Tarik, entering Toledo, found it almost empty, but for the Jewish
colony. Most of the inhabitants had taken refuge among the steep and
rocky mountain-passes outside the city. Only a few noble families had
decided to remain and make the best of Moslem rule. In the royal palace
Tarik seized twenty-five golden and jewelled crowns, and amongst the
vast Gothic treasure, the psalms of David, written upon gold leaf in
water made of dissolved rubies, and Solomon's emerald table wrought in
burnished silver and gold, which the Arabian chronicler describes as
"the most beautiful thing ever seen, with its golden vases and plates of
a precious green stone, and three collars of rubies, emerald, and
pearls." This sumptuous table is said to have been one of the causes of
quarrel between Tarik and Mûsa, the latter holding his brilliant
lieutenant as responsible for the missing golden leg. Whither have this
emerald table and the psalms of David written in dissolved rubies on
gold leaf been spirited? We have the crowns of the Gothic kings still;
why not the table of Solomon fashioned of material just as enduring?
Public-domain text, read in full here on John Shaqi.
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