He is in a mood of some sadness, and feels, after all his experiences,
old beyond his years; he drives to the Rostofs and perceives a number
of young girls running among the trees. "In front of the others ...
ran a very slender, indeed a strangely slender maiden, with dark hair
and dark eyes, in a yellow chintz dress, with a white handkerchief
round her head, the locks emerging from it in ringlets."
It is Natasha, and, that same night, Prince Andrei hears her conversing
with her cousin Sonya at the window above his own. "The night was cool
and calmly beautiful. In front of the window was a row of clipped
trees, dark on one side and silver-bright on the other.... Farther
away, beyond the trees, was a roof glittering with dew; farther to the
right a tall tree with wide-spreading branches, showed a brilliant
white bole and limbs; and directly above it the moon, almost at her
full, shone in the bright, nearly starless spring night. Prince Andrei
leaned his elbows on the window-sill and fixed his eyes on that sky."
He hears Sonya and Natasha sing a duet, he hears Sonya try to persuade
her cousin to sleep and Natasha's protest:
"Sonya! Sonya! How can you go to sleep? Just see how lovely it is!
How lovely! Come wake up, {46} Sonya," she said again with, tears in
her voice. "Come, now, such a lovely, lovely night was never seen!"
Prince Andrei meets her again at a ball in St. Petersburg, where her
childlike happiness brings a breath of pure air into the artificial
atmosphere; Natasha is so completely unaffected that, in the very midst
of affectations, she keeps her unspoilt romance.
Prince Andrei proposes for her hand, but the Rostofs' family affairs
are in confusion, and Prince Andrei's father insists on a year's delay;
for that space of time he goes abroad. Prince Andrei does not find the
time of delay unreasonably long, and cannot understand that Natasha
should do so, but the girl suffers the dangers of her inexperience;
Prince Andrei has roused her to a full consciousness of womanhood, and
her sensuous and passionate nature cannot endure the blank of his
absence; also, since she is extremely sensitive, she is grieved by the
cold attitude his family persistently maintain.
She meets Anatol Kuragin, a man exceedingly handsome but unscrupulous,
who at once makes violent love to her; she writes a letter to Prince
Andrei breaking off their engagement, and consents to elope with
Kuragin, this plan being discovered and frustrated by her family.
Natasha wakens from her brief madness, realises how badly she has
behaved to her betrothed, and, in her remorse and shame, attempts
suicide.
Prince Andrei, returning, learns the whole story; he is stung to the
quick in his haughty pride; his spiritual nature makes him totally
unable to understand the temptation, and he cannot forgive.
Public-domain text, read in full here on John Shaqi.
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