His was a rich inheritance. The Tolstoys and the Volkonskys were very
ancient families, of the greater nobility, claiming descent from
Rurik; numbering among their ancestors companions of Peter the Great,
generals of the Seven Years' War, heroes of the Napoleonic struggle,
Decembrists, and political exiles. This inheritance included family
traditions; old memories to which Tolstoy was indebted for some of the
most original types in his _War and Peace;_ there was the old Prince
Bolkonsky, his maternal grandfather, Voltairian, despotic, a belated
representative of the aristocracy of the days of Catherine II.; Prince
Nikolas Grigorovitch Volkonsky, a cousin of his mother, who was wounded
at Austerlitz, and, like Prince Andrei, was carried off the field of
battle under the eyes of Napoleon; his father, who had some of the
characteristics of Nicolas Rostoff;[3] and his mother, the Princess
Marie, the ugly, charming woman with the beautiful eyes, whose goodness
illumines the pages of _War and Peace._
He scarcely knew his parents. Those delightful narratives, _Childhood_
and _Youth_, have, therefore, but little authenticity; for the writer's
mother died when he was not yet two years of age. He, therefore, was
unable to recall the beloved face which the little Nikolas Irtenieff
evoked beyond a veil of tears: a face with a luminous smile, which
radiated gladness....
"Ah! if in difficult moments I could only see that smile, I should not
know what sorrow is."[4]
Yet she doubtless endowed him with her own absolute candour, her
indifference to opinion, and her wonderful gift of relating tales of
her own invention.
His father he did in some degree remember. His was a genial yet
ironical spirit; a sad-eyed man who dwelt upon his estates, leading an
independent, unambitious life. Tolstoy was nine years old when he lost
him. His death caused him "for the first time to understand the bitter
truth, and filled his soul with despair."[5] Here was the child's
earliest encounter with the spectre of terror; and henceforth a portion
of his life was to be devoted to fighting the phantom, and a portion
to its celebration, its transfiguration. The traces of this agony are
marked by a few unforgettable touches in the final chapters of his
_Childhood_, where his memories are transposed in the narrative of the
death and burial of his mother.
Public-domain text, read in full here on John Shaqi.
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