[1] _Master and Servant_ (1895) is more or less of a transition between
the gloomy novels which preceded it and _Resurrection;_ which is full
of the light of the Divine charity. But it is akin to _The Death of
Ivan Ilyitch_ and the _Popular Tales_ rather than to _Resurrection,_
which only presents, towards the end of the book, the sublime
transformation of a selfish and morally cowardly man under the stress
of an impulse of sacrifice. The greater part of the book consists
of the extremely realistic picture of a master without kindness and
a servant full of resignation, who are surprised, by night, on the
steppes, by a blizzard, in which they lose their way. The master, who
at first tries to escape, deserting his companion, returns, and finding
the latter half-frozen, throws himself upon him, covering him with his
body, gives him of his warmth, and sacrifices himself by instinct; he
does not know why, but the tears fill his eyes; it seems to him that
he has become the man he is seeking to save--Nikita--and that his life
is no longer in himself, but in Nikita. "Nikita is alive; then I am
still alive, myself." He has almost forgotten who he, Vassili, was. He
thinks: "Vassili did not know what had to be done. But I, I know!" He
hears the voice of Him whom he was awaiting (here his dream recalls one
of the _Popular Tales),_ of Him who, a little while ago, had commanded
him to lie upon Nikita. He cries, quite happy: "Lord, I am coming!" and
he feels that he is free; that nothing is keeping him back any longer.
He is dead.
[2] While on the other hand he had mixed in all the various circles
depicted in _War and Peace, Anna Karenin, The Cossacks,_ and
_Sebastopol_; the _salons_ of the nobles, the army, the life of the
country estate. He had only to remember.
[3] "Men carry in them the germ of all the human qualities, and they
manifest now one, now another, so that they often appear to be not
themselves; that is, themselves as they habitually appear. Among some
these changes are more rare; among others more rapid. To the second
class of men belongs Nekhludov. Under the influence of various physical
or moral causes sudden and complete changes are incessantly being
produced within him." (_Resurrection_.)
[4] "Many times in his life he had proceeded to _clean up his
conscience._ This was the term he used to denote those moral crises
in which he decided to sweep out the moral refuse which littered his
soul. At the conclusion of these crises he never failed to set himself
certain rules, which he swore always to keep. He kept a diary; he
began a new life. But each time it was not long before he fell once
more to the same level, or lower still, than before the crisis."
(_Resurrection.)_
[5] Upon learning that Maslova is engaged in an intrigue with a
hospital attendant, Nekhludov is more than ever decided to "sacrifice
his liberty in order to redeem the sin of this woman."
Public-domain text, read in full here on John Shaqi.
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