"In 'King Lear,' Shakespeare's vision sounded the abyss of horror to its very depths, and his spirit showed neither fear, nor giddiness, nor faintness, at the sight," says Brandes. "On the threshold of this work, a feeling of awe comes over one, as on the threshold of the Sistine Chapel, with its ceiling of frescoes by Michael Angelo,--only that the suffering here is far more intense, the wail wilder, and the harmonies of beauty more definitely shattered by the discords of despair." Such are the judgments of the critics about this drama, and therefore I believe I am not wrong in selecting it as a type of Shakespeare's best. As impartially as possible, I will endeavor to describe the contents of the drama, and then to show why it is not that acme of perfection it is represented to be by critics, but is something quite different. II The drama of "Lear" begins with a scene giving the conversation between two courtiers, Kent and Gloucester. Kent, pointing to a young man present, asks Gloucester whether that is not his son. Gloucester says that he has often blushed to acknowledge the young man as his son, but has now ceased doing so. Kent says he "can not conceive him." Then Gloucester in the presence of this son of his says: "The fellow's mother could, and grew round-wombed, and had a son for her cradle ere she had a husband for her bed." "I have another, a legitimate son," continues Gloucester, "but altho this one came into the world before he was sent for, his mother was fair and there was good sport at his making, and therefore I acknowledge this one also." Such is the introduction. Not to mention the coarseness of these words of Gloucester, they are, farther, out of place in the mouth of a person intended to represent a noble character. One can not agree with the opinion of some critics that these words are given to Gloucester in order to show the contempt for his illegitimacy from which Edmund suffers. Were this so, it would first have been unnecessary to make the father express the contempt felt by men in general, and, secondly, Edmund, in his monolog about the injustice of those who despise him for his birth, would have mentioned such words from his father. But this is not so, and therefore these words of Gloucester at the very beginning of the piece, were merely intended as a communication to the public--in a humorous form--of the fact that Gloucester has a legitimate son and an illegitimate one.