Tom and Some Other Girls: A Public School Story — John Shaqi
Tom and Some Other Girls: A Public School StoryVaizey, George de Horne, Mrs.
History
Tom and Some Other Girls: A Public School Story
Vaizey, George de Horne, Mrs.
Girls -- Conduct of life -- Juvenile fiction; Schools -- Juvenile fiction
Rhoda was immaculate in blue serge coat and skirt, and sailor hat with a
band of school colours. Nothing could have been simpler; but there are
ranks in even the simplest garments, and she was agreeably conscious
that her coat was not as other coats, neither was her skirt as other
skirts. The hand of the Regent Street tailor was seen in both, and
there was a new arrangement of pleats at the back which ought in itself
to secure the admiration of the school! She was all complacency until
Euston was reached, when the first glimpse at a group of "Hurst" girls
smote her to earth. She had sewn the band on her hat upside down,
putting the wide stripe next the brim, which should by rights have been
the place of the narrow! To the cold, adult mind such a discovery might
seem of trifling importance, but to the embryo school-girl it was
fraught with agonising humiliation. It looked so ignorant, so stupid;
it marked one so hopelessly as a recruit; Rhoda's cheeks burned crimson;
she looked searchingly round to see if by chance any other strangeling
had fallen into the same error, but, so far as bands were concerned, she
was solitary among the throng.
A governess, seeing the two figures standing apart from the rest, came
forward and welcomed Rhoda with a few kindly words, but she was too busy
to spare time for more than a greeting. Fresh girls kept arriving with
every moment--a crowd of brisk, alert, bustling young creatures,
skurrying along bags in hand, and bright eyes glancing to right and
left. At every step forward there would come a fresh recognition, a nod
of the head, a wave of the hand, a quick "Halloa!" more eloquent than
elegant. Rhoda felt a spasm of loneliness at the realisation that no
greeting waited for herself, and at the strangeness of the many faces.
She looked critically around and came to the most unfavourable
conclusions.
"I don't like that one--she's a fright! I hate that one--she's so
affected. Those two look common; I won't have anything to do with
_them_. The big one with spectacles looks horribly learned. The one
with the violin has a most unmusical face. _She_ looks fit for
stratagems if you like! The little one in brown is a cunning fox, I can
see it in her eyes. Of all the plain, uninteresting, stodgy set of
girls--"
There was a movement inside the saloon carriage opposite, and a large
mamma clad in black, with a profusion of bugles, stepped on to the
platform and marched stolidly away. She steered a course clear of the
crowd of girls, the ends of her mantle floating behind her, like a brig
in full sail before the breeze, while her poor little daughter hung out
of the doorway gazing after her, sobbing bitterly, and mouthing in
pathetic, helpless misery.
Public-domain text, read in full here on John Shaqi.
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