“No, Mr. Crane,” said a young girl, opening the door, “she's not at home. I'm expecting her every minute. Mother went to work early this morning. She'll be sorry to miss you, sir. She ought to be home now, for she's been up 'most all night at the fort. She's just sent Carl up for two more horses. Won't you come in and wait?” “No; I'll keep on to the fort,” answered Crane. “I may meet her on the road.” “May I come in?” Babcock asked, explaining his business in a few words. “Oh, yes, sir. Mother won't be long now. You've not forgotten me, Mr. Babcock? I'm her daughter Jennie. I was to your office once. Gran'pop, this is the gentleman mother works for.” An old man rose with some difficulty from an armchair, and bowed in a kindly, deferential way. He had been reading near the window. He was in his shirt-sleeves, his collar open at the throat. He seemed rather feeble. His legs shook as if he were weak from some recent illness. About the eyes was a certain kindliness that did not escape Babcock's quick glance; they were clear and honest, and looked straight into his--the kind he liked. The old man's most striking features were his silver-white hair, parted over his forehead and falling to his shoulders, and his thin, straight, transparent nose, indicating both ill health and a certain refinement and sensitiveness of nature. Had it not been for his dress, he might have passed for an English curate on half pay. “Me name's Richard, sor--Richard Mullins,” said the old man. “I'm Mary's father. She won't be long gone now. She promised me she'd be home for dinner.” He placed a chair for Babcock, and remained standing. “I will wait until she returns,” said Babcock. He had come to discover something more definite about this woman who worked like a steam-engine, crooned over a cripple, and broke a plank with her fist, and he did not intend to leave until he knew. “Your daughter must have had great experience. I have never seen any one man handle work better,” he continued, extending his hand. Then, noticing that Mullins was still standing, “Don't let me take your seat.” Mullins hesitated, glanced at Jennie, and, moving another chair from the window, drew it nearer, and settled slowly beside Babcock. The room was as clean as bare arms and scrubbing-brushes could make it. Near the fireplace was a cast-iron stove, and opposite this stood a parlor organ, its top littered with photographs. A few chromos hung on the walls. There were also a big plush sofa and two haircloth rocking-chairs, of walnut, covered with cotton tidies. The carpet on the floor was new, and in the window, where the old man had been sitting, some pots of nasturtiums were blooming, their tendrils reaching up both sides of the sash. Opening from this room was the kitchen, resplendent in bright pans and a shining copper wash-boiler. The girl passed constantly in and out the open door, spreading the cloth and bringing dishes for the table.