She went to a pile of music which was on a little table, for the
purpose of selecting a piece of sufficient simplicity to enable a tyro
to display his powers, or want of them. He was between her and the
window. In passing the window he glanced through it. As he did so, he
gave a sudden start--a start, in fact, which amounted to a positive
jump. His hat dropped from his hand, and, wholly regardless that he
was leaving it lying on the floor, he hurried backwards, keeping in
the shadow, and as far as possible from the window. The action was so
marked that it was impossible it should go unnoticed. It filled Madge
Brodie with a sense of shock which was distinctly disagreeable. Her
eyes, too, sought the window--it looked out on to the road. A man, it
struck her, of emphatically sinister appearance, was loitering
leisurely past. As she looked he stopped dead, and, leaning over the
palings, stared intently through the window. It was true that the
survey only lasted for a moment, and that then he shambled off again,
but the thing was sufficiently conspicuous to be unpleasant.
So startled was she by the connection which seemed to exist between
the fellow's insolence and her visitor's perturbation that, without
thinking of what she was doing, she placed the first piece she came
across upon the music-stand--saying, as she did so:
"Let me see what you can do with this."
Her words were unheeded. Her visitor was drawing himself into an
extreme corner of the room, in a fashion which, considering his size
and the muscle which his appearance suggested, was, in its way,
ludicrous. It was not, however, the ludicrous side which occurred to
Madge; his uneasiness made her uneasy too. She spoke a little sharply,
as if involuntarily.
"Do you hear me? Will you be so good as to try this piece, and let me
see what you can make of it."
Her words seemed to rouse him to a sense of misbehaviour.
"I beg your pardon; I am afraid you will think me rude, but the truth
is, I--I have been a little out of sorts just lately." He came briskly
towards the piano; glancing however, as Madge could not help but
notice, nervously through the window as he came. The man outside was
gone; his absence seemed to reassure him. "Is this the piece you wish
me to play? I will do my best."
He did his best--or, if it was not his best, his best must have been
something very remarkable indeed.
The piece she had selected--unwittingly--was a Minuet of Mozart's. A
dainty trifle; a pitfall for the inexperienced; seeming so simple, yet
needing the soul, and knowledge, of a virtuoso to make anything of it
at all. Hardly the sort of thing to set before a seeker after music
lessons, whose acquaintance with music, for all she knew, was limited
to picking out the notes upon the keyboard. At her final examination
she herself had chosen it, first because she loved it, and, second,
because she deemed it to be something which would enable her to
illustrate her utmost powers at their very best.
Public-domain text, read in full here on John Shaqi.
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