"I did it--you know I did it. I give myself away--if there's any
giving about it. You can whistle for a constable, and give me into
charge right off; I'm willing. Perhaps it'll turn out to be the same
bobby I handled before, and then he'll be happier than ever."
"I am sorry to learn that you were the burglar--very sorry. My friend,
Miss Duncan, and I were alone in the house, a fact of which you were
probably aware." That Mr. Ballingall might still be possessed of some
remnants of saving grace was suggested by the fact that, at this
point, he winced. "Other considerations aside, it was hardly a heroic
action to break, at dead of night, into a lonely cottage, whose only
inmates were a couple of unprotected girls."
"There was a revolver fired."
"As you say, there was a revolver fired--by me, at the ceiling. Does
that tend to strengthen the evidence which goes to show that the deed,
on your part, was a courageous one?"
"I never said that it was."
"You are perfectly conscious that we shall not whistle for a
policeman, and that we shall not give you into charge. Is it necessary
for you to talk as if you thought we should?"
"Am I to be robbed----"
"I fancy that the robbing has not been all upon one side." Mr.
Ballingall did not look happier. "The burglar left behind him a scrap
of paper----"
"Oh, I did, did I? I wondered where it was."
"At present it is in the possession of the police."
"The devil!"
"You need not be alarmed." Mr. Ballingall had suddenly risen, as if
disturbed by some reflection. "That was before we knew by whom we had
been favoured. Now that we do know, the paper will not be used in
evidence against you--nor the police either. Before handing over that
scrap of paper we took a copy of the writing which was on it. That
writing was a key to two secret hiding-places which are contained
within this house."
"How do you know that?"
"By exercising a little of my elementary common sense. Observe, Mr.
Ballingall." Rising from her seat, she crossed to the door. "On that
paper which you were so good as to leave behind you it was written,
'Right'--I stand on the right of the door. 'Straight across'--I walk
straight across the room. 'Three'--I measure three feet horizontally.
'Four'--and four feet perpendicularly. 'Up'--I push the panel up; it
opens, and I find that there is something within. That, Mr.
Ballingall, is how I know the paper was a guide to two secret
hiding-places--by discovering the first. What is the matter with the
man? Has he gone mad?"
Public-domain text, read in full here on John Shaqi.
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