I never see Tom look so little and like a fly; but that was because the giant’s head was so big and awful. Awful, yes, so it was, but not dreadful any more, because you could see it was a noble face, and kind of sad, and not thinking about you, but about other things and larger. It was stone, reddish stone, and its nose and ears battered, and that give it an abused look, and you felt sorrier for it for that. We stood off a piece, and sailed around it and over it, and it was just grand. It was a man’s head, or maybe a woman’s, on a tiger’s body a hundred and twenty-five foot long, and there was a dear little temple between its front paws. All but the head used to be under the sand, for hundreds of years, maybe thousands, but they had just lately dug the sand away and found that little temple. It took a power of sand to bury that cretur; most as much as it would to bury a steamboat, I reckon. [Illustration: “Jim standing a siege”] We landed Jim on top of the head, with an American flag to protect him, it being a foreign land; then we sailed off to this and that and t’other distance, to git what Tom called effects and perspectives and proportions, and Jim he done the best he could, striking all the different kinds of attitudes and positions he could study up, but standing on his head and working his legs the way a frog does was the best. The further we got away, the littler Jim got, and the grander the Sphinx got, till at last it was only a clothespin on a dome, as you might say. That’s the way perspective brings out the correct proportions, Tom said; he said Julus Cesar’s niggers didn’t know how big he was, they was too close to him. Then we sailed off further and further, till we couldn’t see Jim at all any more, and then that great figger was at its noblest, a-gazing out over the Nile Valley so still and solemn and lonesome, and all the little shabby huts and things that was scattered about it clean disappeared and gone, and nothing around it now but a soft wide spread of yaller velvet, which was the sand. That was the right place to stop, and we done it. We set there a-looking and a-thinking for a half an hour, nobody a-saying anything, for it made us feel quiet and kind of solemn to remember it had been looking over that valley just that same way, and thinking its awful thoughts all to itself for thousands of years, and nobody can’t find out what they are to this day. At last I took up the glass and see some little black things a-capering around on that velvet carpet, and some more a-climbing up the cretur’s back, and then I see two or three wee puffs of white smoke, and told Tom to look. He done it, and says: “They’re bugs. No—hold on; they—why, I believe they’re men. Yes, it’s men—men and horses both. They’re hauling a long ladder up onto the Sphinx’s back—now ain’t that odd? And now they’re trying to lean it up a—there’s some more puffs of smoke—it’s guns! Huck, they’re after Jim.” [Illustration: “Rescue of Jim”]