I see him in it, stalking through the terrible dances, a heroic figure at last. He shuddered every time he found himself on one leg; he got sternly into everybody's way; he was the butt of the little noodle of an instructor. All the social tortures he endured grimly, in the hope that at last the cork would come out. Then, though there were all kinds of girls in the class, merry, sentimental, practical, coquettish, prudes, there was no kind, he felt, whose heart he could not touch. In love-making, as in the favourite Thrums game of the dambrod, there are sixty-one openings, and he knew them all. Yet at the last dance, as at the first, the universal opinion of his partners (shop-girls, mostly, from the large millinery establishments, who had to fly like Cinderellas when the clock struck a certain hour) was that he kept himself to himself, and they were too much the lady to make up to a gentleman who so obviously did not want them. Pym encouraged his friends to jeer at Tommy's want of interest in the sex, thinking it a way of goading him to action. One evening, the bottles circulating, they mentioned one Dolly, goddess at some bar, as a fit instructress for him. Coarse pleasantries passed, but for a time he writhed in silence, then burst upon them indignantly for their unmanly smirching of a woman's character, and swept out, leaving them a little ashamed. That was very like Tommy. But presently a desire came over him to see this girl, and it came because they had hinted such dark things about her. That was like him also. There was probably no harm in Dolly, though it is man's proud right to question it in exchange for his bitters. She was tall and willowy, and stretched her neck like a swan, and returned you your change with disdainful languor; to call such a haughty beauty Dolly was one of the minor triumphs for man, and Dolly they all called her, except the only one who could have given an artistic justification for it. This one was a bearded stranger who, when he knew that Pym and his friends were elsewhere, would enter the bar with a cigar in his mouth, and ask for a whisky-and-water, which was heroism again, for smoking was ever detestable to him, and whisky more offensive than quinine. But these things are expected of you, and by asking for the whisky you get into talk with Dolly; that is to say, you tell her several times what you want, and when she has served every other body you get it. The commercial must be served first; in the barroom he blocks the way like royalty in the street. There is a crown for us all somewhere.