Tommy Atkins at War: As Told in His Own Letters — John Shaqi
Tommy Atkins at War: As Told in His Own LettersKilpatrick, James Alexander
History
Tommy Atkins at War: As Told in His Own Letters
Kilpatrick, James Alexander
Great Britain. Army -- Military life; World War, 1914-1918
It was strange to hear the pipes of the Highlanders skirl shrilly
through old Boulogne, and to catch the sound of English voices in the
clarion notes of the "Marseillaise," but, strangest of all to French
ears, to listen to that new battle-cry, "Are we down-hearted?" followed
by the unanswerable "No--o--o!" of every regiment. And then the lilt of
that new marching song to which Tommy Atkins has given immortality:--
"IT'S A LONG, LONG WAY TO TIPPERARY"[B]
Up to mighty London came an Irishman one day;
As the streets are paved with gold, sure ev'ry one was gay,
Singing songs of Piccadilly, Strand and Leicester Square,
Till Paddy got excited, then he shouted to them there:
CHORUS
It's a long way to Tipperary,
It's a long way to go;
It's a long way to Tipperary,
To the sweetest girl I know!
Good-by Piccadilly,
Farewell Leicester Square.
It's a long, long way to Tipperary,
But my heart's right there!
It's a' there!
Paddy wrote a letter to his Irish Molly O',
Saying, "Should you not receive it, write and let me know!
If I make mistakes in spelling, Molly dear," said he,
"Remember it's the pen that's bad, don't lay the blame on me."
(_Chorus_)
Molly wrote a neat reply to Irish Paddy O',
Saying, "Mike Maloney wants to marry me, and so
Leave the Strand and Piccadilly, or you'll be to blame,
For love has fairly drove me silly--hoping you're the same!"
(_Chorus_)
It may seem odd that the soldier should care so little for martial
songs, or the songs that are ostensibly written for him; but that is not
the fault of Tommy Atkins. Lyric poets don't give him what he calls "the
stuff." He doesn't get it even from Kipling; Thomas Hardy's "Song of
the Soldiers" leaves him cold. He wants no epic stanzas, no heroic
periods. What he asks for is something simple and romantic, something
about a girl, and home, and the lights of London--that goes with a swing
in the march and awakens tender memories when the lilt of it is wafted
at night along the trenches.
And so "Tipperary" has gone with the troops into the great European
battlefields, and has echoed along the white roads and over the green
fields of France and Belgium.
On the way to the front the progress of our soldiers was made one long
fete: it was "roses, roses, all the way." In a letter published in _The
Times_, an artillery officer thus describes it:
Public-domain text, read in full here on John Shaqi.
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