E-text prepared by Suzanne Shell, Stephen Blundell, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) TONGUES OF CONSCIENCE by ROBERT HICHENS _Short Story Index Reprint Series_ Books for Libraries Press Freeport, New York First Published 1900 Reprinted 1971 Printed in the United States of America by New World Book Manufacturing Co., Inc. Hallandale, Florida 33009 CONTENTS PAGE SEA CHANGE-- Part I. THE RAINBOW 1 Part II. THE GRAVE 51 "WILLIAM FOSTER" 109 THE CRY OF THE CHILD-- Part I. THE DEAD CHILD 183 Part II. THE LIVING CHILD 223 HOW LOVE CAME TO PROFESSOR GUILDEA 267 THE LADY AND THE BEGGAR 341 SEA CHANGE. PART I. THE RAINBOW. "Nothing of him that doth fade, But doth suffer a sea change, Into something rich and strange." SHAKESPEARE. SEA CHANGE. PART I. THE RAINBOW. In London nightfall is a delirium of bustle, in the country the coming of a dream. The town scatters a dust of city men over its long and lighted streets, powders its crying thoroughfares with gaily dressed creatures who are hidden, like bats, during the hours of day, opens a thousand defiant yellow eyes that have been sealed in sleep, throws off its wrapper and shows its elaborate toilet. The country grows demure and brown, most modest in the shadows. Labourers go home along the damp and silent lanes with heavy weariness. The parish clergyman flits like a blackbird through the twinkling village. Dogs bark from solitary farms. A beautiful and soft depression fills all the air like incense or like evening bells. But whether night reveals or hides the activities of men it changes them most curiously. The difference between man in day, man in night, is acute. The arrival of darkness always meant something to the Rev. Peter Uniacke, whose cure of souls now held him far from the swarming alleys and the docks in which his early work had been done. He seldom failed to give this visitor, so strange and soft-footed, some slight greeting. Sometimes his welcome was a sigh, sometimes a prayer, sometimes a clenching of the hands, a smile, a pause in his onward walk. Looking backward along his past he could see his tall figure in many different places, aware of the first footfalls of the night, now alone and thinking of night's allegory of man's end, now in company, when the talk insensibly changed its character, flowing into deeper, more mysterious or confidential channels. Peter Uniacke had listened to informal confessions, too, as the night fell, confessions of sin that at first surprised him, that at last could no longer surprise him. And he had confessed himself, before the altar of the twilight, and had wondered why it is that sometimes Nature seems to have the power of absolution, even as God has it.