"You don't mind leaving me?"
"I think you wish me to leave you--"
"Perhaps I do," he said, watching her to see if she winced at the words.
But her face was still and calm.
"What then?"
"Then it is better for me to go for a little while than to stay."
"For a little while," he repeated, "yes."
He turned and went slowly out of the room, and suddenly his face was
distorted. For, in the darkness of the hall, he heard the child crying
and lamenting. He stopped and listened to it like a man who resolutely
faces his destruction. And, as so many times, he asked himself; "Is this
a freak of my imagination, a trick of my nerves?" No, the sound was
surely real, was close to him. It thrilled in his ears keenly. He could
not doubt its reality. Yet he acknowledged to himself that he could not
actually locate it. Only in that respect did it differ from other sounds
of earth. As he stood in the half darkness, listening, a horror, greater
than he had ever felt before, came over him. The cry seemed to him
menacing, no longer merely a cry for sympathy, for assistance, no longer
merely the cry of a helpless creature in pain. He turned white and
sick, and clapped his two hands to his ears. And just as he did so the
dining-room door opened and Lily came out, a thin stream of light
following her and falling upon Maurice. He started at the vision of her
and at the revealing illumination. His nerves were quivering. His whole
body seemed to vibrate.
"Don't come near me," he cried out to Lily. "It is worse since you are
with me. Your presence makes my danger. Ah!"
And with a cry he dashed into his study, banging the door behind him, as
if he fled from her.
* * * * *
A few days later Maurice stood at the garden gate and helped Lily into
the carriage that was to take her to the station. A summons to a patient
prevented him from seeing her and the Canon off on their journey
northwards. Just before Lily put her foot on the step she stopped and
wavered.
"Wait a moment," she said.
She ran back into the little house which had been her home since she was
married. Maurice supposed that she had forgotten something. But she only
peeped into her bedroom, into the gay drawing-room, into Maurice's den.
And as she looked at this last little chamber, at the books, the ruffled
writing-table, the pipes ranged against the wall, her photograph
standing in a silver frame upon the mantelpiece, her eyes filled with
tears, and there was a stricken feeling at her heart.
"Lily, you will miss the train," Maurice called to her.
She hurried out, got into the carriage and was driven away, wondering
why she had gone back to take a last glance at her home, why she had
scarcely been able to see it for her tears.
Public-domain text, read in full here on John Shaqi.
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