Uniacke watched this history go into the maw of the darkness, and when
it was gone he found himself environed by the cool sea noises which
seemed to grow louder in the night, wondering whether the "Kindly Light"
was indeed leading on Jack Pringle, no longer boy on the schooner
"Flying Fish," but--what? The soul of a fisher lad, who had kissed his
girl, and drunk his glass, and told many a brave and unfitting tale, and
sworn many a lusty oath, following some torch along the radiant ways of
Heaven! Was that it? Uniacke had, possibly, preached now and then that
so indeed it was. Or, perhaps, was the light-hearted and careless living
lad caught fast, like sunk wreckage, in the under sea of Hell, where
pain is like a living fire in the moving dimness? "His age seventeen."
Could that be true and God merciful? With such thoughts, Uniacke greeted
the falling of night. In the broad daylight, full of the songs and of
the moving figures of his brawny fisher folk, he had felt less
poetically uncertain. He had said like men at sea, "All's well!" More,
he had been able to feel it. But now he leaned on the churchyard wall
and it was cold to his arms. And the song of the sea was cold in his
ears. And the night lay cold upon his heart. And his mind--in the grim,
and apparently unmeaning way of minds set to sad music in a sad
atmosphere--crept round and round about the gravestone of this boy;
bereft of boyhood so early, of manhood ere he won to it, and carried so
swiftly into mystery beyond the learning of all philosophy. Ignorance,
in jersey and dripping sea-boots, set face to face with all knowledge,
and that called a tragedy!
Yet now to Peter Uniacke it was tragedy, and his own situation, left in
the safety of ignorance preaching to the ignorant, tragedy too, because
of the night, and the winds and the sea noises, and the bareness of this
Isle.
Beyond the church a light shone out, and a bearded shadow towered and
dwindled upon a white blind. Uniacke, a bachelor, and now almost of
necessity a recluse, entertained for the present a visitor. Remembering
the substance of the shadow he opened the churchyard gate, threaded his
way among the gravestones, and was quickly at the Vicarage door. As he
passed within, a yellow glow of lamplight and of firelight streamed into
the narrow passage from a chamber on the left hand, and he heard his
piano, surprised to learn that it could be taught to deliver
passionately long winding melodies from _Tristan and Isolde_. Uniacke
laid down his hat and stick and entered his sitting-room, still
companioned by the shadowy thought-form of the boy of the schooner
"Flying Fish," who seemed to tramp at his side noiselessly, in long
sea-boots that streamed with the salt water.
The man at the piano turned round, showing a handsome and melancholy
face, and eyes that looked as if they were tired, having seen too many
men and deeds and cities.
Public-domain text, read in full here on John Shaqi.
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