England -- Fiction; Patent medicines -- Marketing -- Fiction; Pharmaceutical industry -- Fiction; Satire; Science fiction
Smithie I met before we were married, and afterwards she became a
frequent visitor to our house at Ealing. She was a thin, bright-eyed,
hawk-nosed girl of thirtyodd, with prominent teeth, a high-pitched,
eager voice and a disposition to be urgently smart in her dress. Her
hats were startling and various, but invariably disconcerting, and she
talked in a rapid, nervous flow that was hilarious rather than witty,
and broken by little screams of “Oh, my _dear!_” and “you never did!”
She was the first woman I ever met who used scent. Poor old Smithie!
What a harmless, kindly soul she really was, and how heartily I
detested her! Out of the profits on the Persian robes she supported a
sister’s family of three children, she “helped” a worthless brother,
and overflowed in help even to her workgirls, but that didn’t weigh
with me in those youthfully-narrow times. It was one of the intense
minor irritations of my married life that Smithie’s whirlwind chatter
seemed to me to have far more influence with Marion than anything I had
to say. Before all things I coveted her grip upon Marion’s inaccessible
mind.
In the workroom at Smithie’s, I gathered, they always spoke of me
demurely as “A Certain Person.” I was rumoured to be dreadfully
“clever,” and there were doubts—not altogether without justification—of
the sweetness of my temper.
II
Well, these general explanations will enable the reader to understand
the distressful times we two had together when presently I began to
feel on a footing with Marion and to fumble conversationally for the
mind and the wonderful passion I felt, obstinately and stupidity, must
be in her. I think she thought me the maddest of sane men; “clever,” in
fact, which at Smithie’s was, I suppose, the next thing to insanity, a
word intimating incomprehensible and incalculable motives.... She could
be shocked at anything, she misunderstood everything, and her weapon
was a sulky silence that knitted her brows, spoilt her mouth and robbed
her face of beauty. “Well, if we can’t agree, I don’t see why you
should go on talking,” she used to say. That would always enrage me
beyond measure. Or, “I’m afraid I’m not clever enough to understand
that.”
Silly little people! I see it all now, but then I was no older than she
and I couldn’t see anything but that Marion, for some inexplicable
reason, wouldn’t come alive.
Public-domain text, read in full here on John Shaqi.
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