England -- Fiction; Patent medicines -- Marketing -- Fiction; Pharmaceutical industry -- Fiction; Satire; Science fiction
I have tried to indicate something of my own sexual development in the
preceding chapter. Nobody was ever frank and decent with me in this
relation; nobody, no book, ever came and said to me thus and thus is
the world made, and so and so is necessary. Everything came obscurely,
indefinitely, perplexingly; and all I knew of law or convention in the
matter had the form of threatenings and prohibitions. Except through
the furtive, shameful talk of my coevals at Goudhurst and Wimblehurst,
I was not even warned against quite horrible dangers. My ideas were
made partly of instinct, partly of a romantic imagination, partly woven
out of a medley of scraps of suggestion that came to me haphazard. I
had read widely and confusedly “Vathek,” Shelley, Tom Paine, Plutarch,
Carlyle, Haeckel, William Morris, the Bible, the _Freethinker_, the
_Clarion_, “The Woman Who Did,”—I mention the ingredients that come
first to mind. All sorts of ideas were jumbled up in me and never a
lucid explanation. But it was evident to me that the world regarded
Shelley, for example, as a very heroic as well as beautiful person; and
that to defy convention and succumb magnificently to passion was the
proper thing to do to gain the respect and affection of all decent
people.
And the make-up of Marion’s mind in the matter was an equally
irrational affair. Her training had been one, not simply of silences,
but suppressions. An enormous force of suggestion had so shaped her
that the intense natural fastidiousness of girlhood had developed into
an absolute perversion of instinct. For all that is cardinal in this
essential business of life she had one inseparable epithet—“horrid.”
Without any such training she would have been a shy lover, but now she
was an impossible one. For the rest she had derived, I suppose, partly
from the sort of fiction she got from the Public Library, and partly
from the workroom talk at Smithie’s. So far as the former origin went,
she had an idea of love as a state of worship and service on the part
of the man and of condescension on the part of the woman. There was
nothing “horrid” about it in any fiction she had read. The man gave
presents, did services, sought to be in every way delightful. The woman
“went out” with him, smiled at him, was kissed by him in decorous
secrecy, and if he chanced to offend, denied her countenance and
presence. Usually she did something “for his good” to him, made him go
to church, made him give up smoking or gambling, smartened him up.
Quite at the end of the story came a marriage, and after that the
interest ceased.
That was the tenor of Marion’s fiction; but I think the work-table
conversation at Smithie’s did something to modify that. At Smithie’s it
was recognised, I think, that a “fellow” was a possession to be
desired; that it was better to be engaged to a fellow than not; that
fellows had to be kept—they might be mislaid, they might even be
stolen. There was a case of stealing at Smithie’s, and many tears.
Public-domain text, read in full here on John Shaqi.
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