England -- Fiction; Patent medicines -- Marketing -- Fiction; Pharmaceutical industry -- Fiction; Satire; Science fiction
We found one homely inn with two small bedrooms, kept by a kindly
Basque woman. I got him to bed, and that night shared his room, and
after an hour or so of sleep he woke up in a raging fever and with a
wandering mind, cursing Neal and repeating long, inaccurate lists of
figures. He was manifestly a case for a doctor, and in the morning we
got one in. He was a young man from Montpelier, just beginning to
practise, and very mysterious and technical and modern and unhelpful.
He spoke of cold and exposure, and _la grippe_ and pneumonia. He gave
many explicit and difficult directions.... I perceived it devolved upon
me to organise nursing and a sick-room. I installed a _religieuse_ in
the second bedroom of the inn, and took a room for myself in the inn of
Port de Luzon, a quarter of a mile away.
VII
And now my story converges on what, in that queer corner of refuge out
of the world, was destined to be my uncle’s deathbed. There is a
background of the Pyrenees, of blue hills and sunlit houses, of the old
castle of Luzon and a noisy cascading river, and for a foreground the
dim, stuffy room whose windows both the _religieuse_ and hostess
conspired to shut, with its waxed floor, its four-poster bed, its
characteristically French chairs and fireplace, its champagne bottles
and dirty basins and used towels and packets of _Somatosé_ on the
table. And in the sickly air of the confined space in behind the
curtains of the bed lay my little uncle, with an effect of being
enthroned and secluded, or sat up, or writhed and tossed in his last
dealings of life. One went and drew back the edge of the curtains if
one wanted to speak to him or look at him.
Usually he was propped up against pillows, because so he breathed more
easily. He slept hardly at all.
I have a confused memory of vigils and mornings and afternoons spent by
that bedside, and how the _religieuse_ hovered about me, and how meek
and good and inefficient she was, and how horribly black were her
nails. Other figures come and go, and particularly the doctor, a young
man plumply rococo, in bicycling dress, with fine waxen features, a
little pointed beard, and the long black frizzy hair and huge tie of a
minor poet. Bright and clear-cut and irrelevant are memories of the
Basque hostess of my uncle’s inn and of the family of Spanish people
who entertained me and prepared the most amazingly elaborate meals for
me, with soup and salad and chicken and remarkable sweets. They were
all very kind and sympathetic people, systematically so. And
constantly, without attracting attention, I was trying to get
newspapers from home.
My uncle is central to all these impressions.
Public-domain text, read in full here on John Shaqi.
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