England -- Fiction; Patent medicines -- Marketing -- Fiction; Pharmaceutical industry -- Fiction; Satire; Science fiction
There are many people in England to-day upon whom it has not yet
dawned. There are times when I doubt whether any but a very
inconsiderable minority of English people realise how extensively this
ostensible order has even now passed away. The great houses stand in
the parks still, the cottages cluster respectfully on their borders,
touching their eaves with their creepers, the English countryside—you
can range through Kent from Bladesover northward and see persists
obstinately in looking what it was. It is like an early day in a fine
October. The hand of change rests on it all, unfelt, unseen; resting
for awhile, as it were half reluctantly, before it grips and ends the
thing for ever. One frost and the whole face of things will be bare,
links snap, patience end, our fine foliage of pretences lie glowing in
the mire.
For that we have still to wait a little while. The new order may have
gone far towards shaping itself, but just as in that sort of lantern
show that used to be known in the village as the “Dissolving Views,”
the scene that is going remains upon the mind, traceable and evident,
and the newer picture is yet enigmatical long after the lines that are
to replace those former ones have grown bright and strong, so that the
new England of our children’s children is still a riddle to me. The
ideas of democracy, of equality, and above all of promiscuous
fraternity have certainly never really entered into the English mind.
But what _is_ coming into it? All this book, I hope, will bear a little
on that. Our people never formulates; it keeps words for jests and
ironies. In the meanwhile the old shapes, the old attitudes remain,
subtly changed and changing still, sheltering strange tenants.
Bladesover House is now let furnished to Sir Reuben Lichtenstein, and
has been since old Lady Drew died; it was my odd experience to visit
there, in the house of which my mother had been housekeeper, when my
uncle was at the climax of Tono-Bungay. It was curious to notice then
the little differences that had come to things with this substitution.
To borrow an image from my mineralogical days, these Jews were not so
much a new British gentry as “pseudomorphous” after the gentry. They
are a very clever people, the Jews, but not clever enough to suppress
their cleverness. I wished I could have gone downstairs to savour the
tone of the pantry. It would have been very different I know.
Hawksnest, over beyond, I noted, had its pseudomorph too; a newspaper
proprietor of the type that hustles along with stolen ideas from one
loud sink-or-swim enterprise to another, had bought the place outright;
Redgrave was in the hands of brewers.
Public-domain text, read in full here on John Shaqi.
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